Baltimore-based R&B group Ruff Endz who first burst on the scene over two decades ago with the “No More” are back with their new single “Be The One.” The song will appear on the duo’s fourth coming fifth album, Rebirth, scheduled for release on April 2nd via SRG ILS Group. A midtempo ballad written by group members David Chance & Dante Jordan is auto-tune-free, which is always welcome in R&B music.
David and Dante share lead vocals on the song with its message about love and settling down. Group member David Chance had this to say about the song, “The inspiration behind the song is based on our own experiences and the experiences of most people I know. When a man has finally found the one lady that he feels is his soulmate or his ride or die, he is willing to put it all on the line for her and will put her worries to rest.”
While Dante Jordan hopes to help change the narrative with this song in our community to show that men need love and want to be in love too.” I agree with both gentlemen’s thoughts on the track and commend the gentlemen for staying true to their signature sound and not trying to cater to a younger demographic on the latest release.
Final Grade: B
“Be The One” is available on all streaming platforms now.
In addition, Rebirth is available for pre-order now and will be globally released on April 2nd, via the SRG ILS Group label imprint
I’ve always been a fan of Eric Bellinger. My admiration stems not only from the records he has released under his own name but also from the impressive career he built behind the scenes. Long before casual R&B listeners recognized his face, they were already familiar with his songwriting through tracks he penned for artists like Chris Brown, Usher, Justin Bieber, and Wale.
As many of you know, I had the opportunity to visit Paisley Park earlier this week while vacationing in Minnesota. During the tour, our guide shared that an expanded edition of Prince’s album “Parade” is expected to be released to celebrate its 40th anniversary. After spending the day exploring the Twin Cities, it felt like the perfect excuse to revisit one of the most fascinating and underrated albums in Prince’s legendary catalog.
One of the reasons I’ve always considered Prince to have the edge over Michael Jackson is his remarkable collection of ballads and
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