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Second Listen Sunday: Case, “Open Letter”

Promo for the album began almost a year in advance when its lead single, “Missing You,” appeared on the soundtrack for the Summer 2000 hit film, “Nutty Professor II: The Klumps.” The song was written by fellow R&B artist Joe, along with Tim & Bob and Joshua Paul Thompson, who also produced the track.

Slow Jam Saturday: 98 Degrees, “Invisible Man”

Signed to Motown, 98 Degrees’ first single was “Invisible Man”. A ballad written by Dane DeViller, Sean Hosein, and Steve Kpner, it was a heartbreak song, the kind that defies a radio-friendly smile. It’s a feeling you get from the opening moment of the song. Everything about it sounds naked.

Second Listen Sunday: Toni Braxton, “The Heat”

R&B fans received great news last week when it was announced that R&B icons New Edition will kick off 2026 with their next tour, “The New Edition Way Tour,” featuring support acts Boyz II Men and Toni Braxton. While I have seen both male groups live numerous times, I haven’t had the pleasure of seeing the legendary Ms. Braxton perform. Therefore, I felt it was only fitting to give her some recognition for this week’s Second Listen Sunday.

Slow Jam Saturday: Boyz II Men feat. Charlie Wilson, “More Than You’ll Ever Know”

Tomorrow, I’ll be giving flowers to Toni Braxton for Second Listen Sunday, so it feels fitting to show some love to a legendary group from Philadelphia for Slow Jam Saturday. Boyz II Men established themselves early as hitmakers, yet mainstream audiences often overlook their 21st-century bops. One such song is “More Than You’ll Ever Know.”

Slow Jam Saturday: Kelly Rowland, “Motivation”

Nineties babies are buzzing with excitement as two of the most prominent voices from that era, Brandy and Monica, prepare to launch “The Boy Is Mine Tour” next week. However, for this week’s Slow Jam Saturday, I wanted to highlight one of the opening acts, the amazing Kelly Rowland, and her 2011 hit, “Motivation.”

Second Listen Sunday: Chris Brown, “Graffiti”

The production is so glossy that it suffocates the music. Songs blend into one another with generic synths and “me too” hooks that sound like they were pulled from a bargain bin of late-2000s pop-R&B leftovers