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Derrick Dunn

Slow Jam Saturday: The Stylistics, “When You’ve Got Love, It’s Christmas All Year Long”

Often, when an artist releases a holiday album, it typically features the usual songs.  However, if the singer has a capable voice, they can put their own unique spin on the material.  That’s precisely what The Stylistics did with their 1992 Christmas album, “Stylistics Christmas.” For this week’s Slow Jam Saturday, I wanted to highlight one of the originals from that project. 

The song is “When You’ve Got Love, It’s Christmas All Year Long,” one of those deep-cut holiday joints that reminds you why The Stylistics occupied a rare lane in early-’90s soul.  By 1992, the group—Russell Thompkins Jr.’s unmistakable falsetto out front, supported by Herb Murrell, Airrion Love, and new addition Van Fields—was carrying the legacy of Philly elegance into a new era. 

The strength of the song lies in what The Stylistics have always excelled at: harmony, warmth, and emotional intimacy.  Thompkins’ falsetto—still pristine, still cutting through a mix like a laser made of velvet—gives the track its center.  Murrell, Love, and Fields lock in around him, building a harmonic bed that feels less like a Christmas record and more like the quiet storm at 2 a.m.

The arrangement emphasizes softness with gentle keys, light percussion, and a melody designed for slow swaying.  It doesn’t attempt to compete with the grandiosity of big-band holiday productions; instead, it subtly invites you into the season.  Lyrically, the song conveys a simple, almost universal idea: if the relationship is right, every day feels like a little bit of Christmas.  The sentiment leans earnest rather than profound, but that’s part of its charm.  The Stylistics weren’t aiming for theological depth—they were crafting a mood, and it’s tender.

Where the track stumbles is its placement, sitting inside an album stacked with sacred standards, the shift from “Have Yourself a Merry Little Christmas” to a contemporary soul ballad can feel abrupt.  Its thematic simplicity also stops it from reaching the emotional resonance of their earlier classics.  This isn’t “Betcha by Golly Wow”; it’s a smaller, gentler expression.

Still, for listeners who appreciate The Stylistics’ ability to make romance feel effortless, the song is a quiet highlight.  It may not be a holiday staple, but it’s a reminder that love—sung by the right voices—can make even December feel like spring.

Final Grade: B

“When You’ve Got Love, It’s Christmas All Year Long” is available on all streaming platforms. 

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Slow Jam Saturday : Chauncey Black, “Everyday Is Your Birthday”

This week’s Slow Jam Saturday pick takes us back to 2008 to show some love to Chauncey Hannibal, a member of Blackstreet, and his solo track “Everyday Is Your Birthday.” Chauncey’s vocals were featured prominently on the group’s first four albums until he began his solo career in 2005. He initially signed with Flipmode Entertainment, and “Everyday Is Your Birthday” was the first single from his project titled “Church Boy,” although the actual album was never released.

Second Listen Sunday: Brooke Valentine, “Chain Letter”

As my loyal readers know, one of my passions during my Air Force enlistment was being a DJ. Since I was stationed in the UK, it was sometimes hard to keep up with the music scene, as there was no satellite radio, the club scene rarely showcased new music, and I missed out on shows like 106 & Park. Often, I would buy new CDs based solely on their covers and find a way to incorporate the music into my sets, particularly if the artist caught my attention. One such artist was Brooke Valentine, who is this week’s pick for Second Listen Sunday.

Second Listen Sunday : Akon, Konvicted

Since my wife’s favorite solo artist, Ne-Yo, is currently on tour, I decided to show some love to Akon this week for Second Listen Sunday by focusing on his second album, “Konvicted.” I first discovered Akon in the fall of 2004 when I made my DJ debut while stationed in the UK. During my warm-up set, I played “Locked Up,” and one of the bouncers came over, handed me a pound, and said it was about time someone played that song.

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