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Derrick Dunn

Slow Jam Saturday : Johnny Gill, “Give Love On Christmas Day”

For this week’s Slow Jam Saturday, I decided to venture back to 1989 and show some love to Johnny Gill and his rendition of the classic holiday ballad “Give Love on Christmas Day.” Gill had just finished the successful “Heart Break” tour with his groupmates in New Edition and was working on his third solo album.

Motown was preparing to release a Christmas compilation, so it made sense for Gill to be featured.  The song “Give Love on Christmas Day,” originally recorded by The Jackson 5 for their 1970 Christmas album, was written by The Corporation, the label’s songwriting and producing team.  Gill enlisted producer Paul Laurence to create his version.

As most purists know, “Give Love on Christmas Day” is a soulful Christmas standard.  Always ahead of his time vocally, Johnny Gill was just twenty-three at the time of this recording, and he doesn’t just revisit a classic—he personalizes it.  His version transforms the song from a sweet, youthful plea into a mature, church-trained declaration of love and generosity.

Clocking in at just under four minutes, Gill’s interpretation highlights the qualities that have long made him one of R&B’s most underrated vocal technicians: phrasing, control, and that unmistakable baritone that can warm a room like a good fireplace.  Rather than chasing the youthful sparkle of The Jackson 5’s original or New Edition’s cover from four years earlier, Gill envelops the melody in richer textures, with a slow, steady groove, light piano flourishes, and background harmonies that feel straight out of a Sunday morning rehearsal.

Johnny doesn’t over sing it, which adds to its charm.  He imparts a conversational warmth to the verses, allowing the message to resonate naturally, then uplifts the chorus with his distinctive vocal runs—clean, intentional, and never flashy.  When he emphasizes the lyric “The world needs your love,” he delivers it with the authority of someone who has experienced life enough to grasp its true significance.

The production fits him perfectly: polished but not overly glossy, classic without sounding dated.  You can hear echoes of The Temptations’ Christmas album and the vocal maturity Gill would carry into his later solo work.  This isn’t a song trying to compete with the big, flashy holiday anthems—you won’t find sleigh bells crashing or synthetic cheer.  Instead, Johnny keeps it intimate, soulful, and sincere.

While equally strong vocalists, including Yolanda Adams, Ledisi, and Coko, have all given the song a grown-up punch, Gill’s version works because he sings it like a personal mantra, not just a seasonal obligation.

Final Grade: A

“Give Love on Christmas Day” is available on all streaming platforms.

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Slow Jam Saturday : Chauncey Black, “Everyday Is Your Birthday”

This week’s Slow Jam Saturday pick takes us back to 2008 to show some love to Chauncey Hannibal, a member of Blackstreet, and his solo track “Everyday Is Your Birthday.” Chauncey’s vocals were featured prominently on the group’s first four albums until he began his solo career in 2005. He initially signed with Flipmode Entertainment, and “Everyday Is Your Birthday” was the first single from his project titled “Church Boy,” although the actual album was never released.

Second Listen Sunday: Brooke Valentine, “Chain Letter”

As my loyal readers know, one of my passions during my Air Force enlistment was being a DJ. Since I was stationed in the UK, it was sometimes hard to keep up with the music scene, as there was no satellite radio, the club scene rarely showcased new music, and I missed out on shows like 106 & Park. Often, I would buy new CDs based solely on their covers and find a way to incorporate the music into my sets, particularly if the artist caught my attention. One such artist was Brooke Valentine, who is this week’s pick for Second Listen Sunday.

Second Listen Sunday : Akon, Konvicted

Since my wife’s favorite solo artist, Ne-Yo, is currently on tour, I decided to show some love to Akon this week for Second Listen Sunday by focusing on his second album, “Konvicted.” I first discovered Akon in the fall of 2004 when I made my DJ debut while stationed in the UK. During my warm-up set, I played “Locked Up,” and one of the bouncers came over, handed me a pound, and said it was about time someone played that song.

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