Slow pacing mars quality performances in The Devil All the Time
Director Antonio Campos collaborates with Netflix for an adaption of a critically acclaimed novel in The Devil All the Time. Based on the same-titled novel by writer Donald Ray Pollock, it is a grim and slow-burning film showcasing the dark side of America in the 1950’s.
The life lessons & lacrosse mix in the sport drama The Grizzlies
Director Miranda de Pencier delivers an impressive debut in the inspirational sports drama The Grizzlies from Elevation Pictures. Based on a true story, the film opens with a heartbreaking suicide of a young tee in a remote arctic town in North America. Before long, we meet the fresh out of college and aspiring teacher Russ Sheppard (Ben Schnetzer). Russ has taken on what he perceives as a place holding job, teaching history at Kugluktuk High School.
Laughs & gore galore in The Babysitter Killer Queen
Director McG reunites with Netflix for The Babysitter: Killer Queen, a sequel to the network’s 2017 hit, The Babysitter. Two years ago, Cole Johnson (Judah Lewis) successfully defeated his babysitter Bee and her satanic cult. As luck would have it, Cole has become a laughing stock in the town and seen as the boy who cried wolf, given that Bee and all of her minions disappeared. The lad’s parents (Ken Marino and Leslie Bibb) even have him in therapy and want to send him away to a mental institution.
Chess is Life in Critical Thinking
After a seventeen-year hiatus, actor John Leguizamo returns to the director’s chair for Critical Thinking from Vertical Entertainment. Set in Miami’s Dade County in the year 1998 and based on a true story, Critical Thinking tells the story five young men from the toughest underserved ghetto in Miami.
Abundance confusion fills I’m Thinking of Ending Things
Ian Reid’s best-selling novel I’m Thinking of Ending Things, gets a Netflix adaptation from director Charlie Kaufman. A nameless young woman (Jesse Buckley) and her boyfriend Jake (Jesse Plemons) are on a road trip to meet Jake’s parents Suzie (Toni Collette) and Dean (David Thewlis). Jake gives Young woman a fair warning that his family is quite eccentric, which only adds to the hesitant reservations he had about the trip.
Tenet is a complex thrill ride
Visionary director Christopher Nolan brings his latest cinematic puzzle to the screen in Warner Bros. Tenet. Fair warning Tenet, is a film that demands the audience’s attention from the moment the score starts. The film opens with an undercover CIA agent known only as The Protagonist (John David Washington) amid a SWAT mission.
Love Guaranteed is a harmless romantic comedy
A new romantic comedy hits Netflix in director Mark Steven Johnson’s Love, Guaranteed. The majority of gold-hearted lawyer Susan (Rachel Leigh Cook) involves pro-bono work. After a chance meeting with an endearing physical therapist Nick (Damon Wayans Jr.), Susan learns that Nick wants to hire her law firm. He wants to sue the dating app service, “Love Guaranteed.”
Followed is a promising debut from director Antione Le
Director Antoine Le makes a promising debut with his Followed from Global View Entertainment. The definitive definition of a social media influencer is a person or people who have built a reputation for their knowledge and expertise on a specific topic.
Claustrophobia is front and center in Centigrade
IFC Midnight films bring the latest survival tale to the screen in Centigrade from director Brendan Walsh.
Welcome Back Wyld Stallyns
Iconic time-traveling duo Bill & Ted make a welcome to the big screen after a 29-year hiatus in Bill & Ted Face the Music from United Artists Releasing. Director Dean Parisot helms the threequel while the franchise’s regular screenwriters Chris Matheson and Ed Solomon provide the screenplay.
Tesla is one of the worst biopics of 2020
IFC Films & Millennium Media bring the story of engineer and futurist Nikola Tesla to the screen in Tesla. Written and directed by Michael Almereyda, Tesla features a quirky performance by Ethan Hawke.
The 24th is a somber look at Houston riots of 1917
Oscar-winning screenwriter Kevin Willmott makes a return to the director’s chair for the first time in seven years in The 24th from Vertical Entertainment. Following the lead established by John Singleton’s still underrated Rosewood and the opening sequence from HBO’S Emmy nominated Watchmen, Willmott uses the film medium to highlight a little known history act involving racism bigotry.