Second Listen Sunday: The Time, The Time
The year was 1981, and a music legend in the making, Prince was slowly crafting his musical royalty legacy. Before releasing his fourth album, Controversy, Prince introduced the band The Time to the world with their self-titled debut album.
Slow Jam Saturday: Gladys Knight, License To Kill
Walden production begins the song with an ethereal and haunting intro, setting a melancholy tone that resonates throughout the track. Mrs. Knight’s plea for love is evident as she passionately expresses her need to hold on to her partner’s affection, emphasizing the intensity of her emotions.
A Million Miles Away is a standard biopic saved by Michael Peña
Acclaimed director Alejandra Márquez Abella collaborates with Michael Peña for her latest film, A Million Miles Away, a biopic of Jose Hernandez, the first migrant farmworker to travel to space. Abella pens the film’s screenplay with Bettina Gilois, and Hernán Jiménez which adapts based on Hernández’s memoir, Reaching for the Stars: The Inspiring Story of a Migrant Farmworker Turned Astronaut.
A Haunting in Venice is a chilling good time
For the third time, Kenneth Branagh wears two hats as director and star in 20th Century Studios A Haunting In Venice. Branagh steps back into the role of Agatha Christie’s fictional Belgian detective, Hercule Poirot. Michael Green pens the film’s screenplay, an adaptation of Agatha Christie’s beloved classic, Hallowe’en Party.
Ari Aster & Joaquim Phoenix successfully collaborate for Beau Is Afraid
Eccentric director Ari Aster teams up with Oscar Joaquim Phoenix for his latest mind twist in Beau is Afraid from A24. Beau, portrayed by Phoenix, faces many challenges as an outcast grappling with the shadow of his mother’s influence. His existence is often a puzzle to him, causing him to feel anxious and paranoid when he ventures into his neighborhood, which feels familiar and chaotic.
Single Review : Eric Roberson, I Apologize
It seems like just yesterday, Eric Roberson blessed fans with “Things Meant For Me,” but he’s back with another single in the form of “I Apologize.” The creators of “I Apologize” are Eric Roberson, Jairus Mozee, Brett “B Dubb” Baker, and Rodney Jones.
Second Listen Sunday : Pleasure P, The Introduction of Marcus Cooper
No matter the music genre, a standout star is always when a group breaks into the scene. R&B fans were introduced to R&B thugs Pretty Ricky in 2005 with their debut album Bluestars. Three singles supported the album: “Grind with Me,” “Your Body,” and “Nothing but a Number.
Slow Jam Saturday: New Edition , Is This The End
Today marks the 40th anniversary of the iconic R&B group New Edition in the music industry. As a fan, I couldn’t resist giving a shout-out to my all-time favorite music group for Slow Jam Saturday. Let’s take a trip down memory lane to 1983 with their album “Candy Girl,” which kickstarted their career, and their debut slow jam, “Is This The End.”
Second Listen Sunday: Diana Ross, Why Do Fools Fall In Love
The year was 1981, not only the year of my birth but also when one of Motown’s artists left the label.
Slow Jam Saturday: Lyfe Jennings, I’ll Always Love You
Lyfe wisely avoids covering the Taylor Dayne song of the same name, and Jennings gets sentimental on the track. Lyfe has always had a grit in his singing voice that gives his lyrics an extra layer. “I’ll Always Love You” is a heartfelt ballad that expresses enduring love and commitment. The song lyrics convey a message of unwavering affection and the promise always to hold someone dear, regardless of the circumstances.
Hilary Swank lacks enjoyable cinematic instincts in The Good Mother
After the murder of her estranged son, journalist Marissa Bennings (Swank) forms an unlikely alliance with his pregnant girlfriend Paige (Oliva Cooke) to track down the killers. Together, they confront a world of corruption and drugs in the seedy underbelly of a small city in upstate New York. They unearth an even darker secret as they get closer to the truth.
Bottoms is a crowd pleasing Hughes flavored comedy
Director Emma Seligman returns to high school for her sophomore feature in Bottoms from Orion Pictures. Seligman pens the film’s screenplay with Rachel Sennott, who also headlines the film.