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“Ballerina” twirls into the Wick franchise with style and gun-fu

After spending some time on television, director Len Wiseman returns to the big screen with “Ballerina,” produced by Lionsgate. Set in the world of the iconic action franchise “John Wick,” the film is written by Shay Hatten, who penned the third and fourth entries in the series.

Second Listen Sunday: Cameo, “Single Life”

If there were ever a question on Jeopardy with a category about R&B bands and the question centered on Cameo, I’m sure it would be on one of their signature songs, “Candy” or “Word Up!”

Second Listen Sunday: Johnny Gill, “Chemistry”

From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.

Slow Jam Saturday: Myron, “Destiny”

My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.

“Fear Street: Prom Queen” – a slasher that doesn’t reign

Following a well-received adaptation of “Fear Street”, Netflix dips back into the catalogue of RL Stine for their latest horror feature in “Fear Street: Prom Queen”. Matt Palmer directs the film from a script co-written with Donald McLeary. Prom season at Shadyside High is underway, and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider puts herself in the running, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.

“The New Boy: a Sacred Clash of Spirits and Survival

Warwick Thornton’s The New Boy is a haunting, evocative tale of spiritual collision and colonial imposition set in the unforgiving Australian outback during the early 1940s. Told entirely from the perspective of a young Aboriginal boy (brilliantly portrayed by newcomer Aswan Reid), the film is a quiet yet powerful exploration of Indigenous spirituality clashing with rigid Christian dogma—one that lingers with audiences long after the final frame.