After a five-year hiatus, director Bill Condon returns to the musical genre with an adaptation of the stage musical “Kiss of the Spider Woman,” produced by Lionsgate, Roadside Attractions, and LD Entertainment. Condon also wrote the film’s screenplay, which is based on the Broadway book by Terrence McNally, itself inspired by the 1976 novel by Manuel Puig. This film is the second adaptation of the source material, following the critically acclaimed 1985 version.
Set against the grim political backdrop of 1981 Argentina, the film introduces us to Valentín (played by Diego Luna), a political prisoner who shares a cell with Luis Molina (portrayed by Tonatiuh), a window dresser convicted of public indecency. Initially, the two clash, but over time, they form an unlikely bond as Molina recounts the plot of a Hollywood musical featuring his favorite silver screen diva, Ingrid Luna (played by Jennifer Lopez).
Although I haven’t seen the Broadway adaptation of the Oscar-winning film, I have faith in Bill Condon when it comes to musicals. Almost twenty years later, I still believe that “Dreamgirls” should have won an Academy Award for one of the three songs it was nominated for in 2007. In hindsight, just as the film was a star-making role for Jennifer Hudson, I think this film could have the same effect on Tonatiuh.
Molina is the heart of the film’s story, as he humanizes the character and shows vulnerability in a man trying to make the best of a bad situation. Luna serves as the perfect counterbalance to his character, and their organic chemistry really works. As for Ms. Lopez, she brings just the right amount of moxie and star power to her role.
Condon wisely chooses not to give Lopez any significant vocal moments, instead finding songs that suit her singing style. While I don’t see her as a frontrunner for awards this season, she does a good job here, and I wouldn’t mind seeing her in another musical.
While I generally enjoyed the film, it’s not without its problems. Cinephiles may take issue with some of Condon’s shot choices, while fans of the musical problems may side-eye songs that were omitted and the wait for a big moment. Additionally, there’s a significant change in the film that may give fans of the original pause for concern.
Nonetheless, for theater kids born this century and fans of Lopez and Luna, “Kiss of the Spider Woman” offers enough to recommend it.
Final Grade: B
“Kiss of the Spider Woman” opens in theaters on October 10th.
After achieving success with “Presumed Innocent,” Apple TV+ is now giving another ’90s thriller the miniseries treatment in “Cape Fear.”
After months of anticipation, Showtime returns viewers to the Windy City for one last hurrah as “The Chi” kicks off its final season. In the past, viewers longed to escape from characters disappearing and drifting storylines. However, the show has always kept me invested.
Picking up after Coop (Jon Hamm) narrowly avoids prison, the season finds him still navigating moral gray areas, even after realizing that Sam (Olivia Munn) framed him for murder. His relationship with ex-wife Mel (Amanda Peet) remains complicated—emotionally unresolved yet intentionally restrained. The show avoids easy resets, allowing its characters to grapple with the discomfort they’ve created.