For this week’s Second Listen Sunday, I want to take a trip back to 1996 and shine a spotlight on the R&B group Az Yet and their self-titled debut album. Released on April 30 of that year, the group consisted of Marc Nelson, Shawn Rivera, Kenny Terry, Dion Allen, and Darryl Anthony.
My introduction to the group came with their debut single, “Last Night. Written by Keith Andes and Babyface and co-produced by the former with Meryn Warren, the song was a lush ballad that was everyone’s one mixtape in the summer of 1996.
The group shares lead vocals throughout the song as they croon about the intense emotions and profound connection one experiences during a passionate encounter with a partner. Never once does the song go into crass lyrics. The next single, a cover of Chicago’s “Hard to Say I’m Sorry,” became another hit.
Once again produced by Babyface with co-production from group member Shawn Rivera, the song achieved even greater success when the original producer, David Foster, added his magic touch and included vocals from Peter Cetera. The group effortlessly captures the original’s message, which explores the complexities of relationships and the struggle to express remorse and apologize.
From what I recall, the group unfortunately did not release a third single, which is quite disappointing. Babyface, who was responsible for many of the album’s standout tracks, was truly at the height of his creative prowess. Songs like “Saved for Someone Else,” “Care for Me,” and “I Don’t Want to Be Lonely” continue to resonate with a timeless freshness that captivates listeners.
Even the tracks not associated with Babyface shine brightly, such as “Secrets,” expertly written and produced by Jon B., and “Through My Heart (The Arrow),” courtesy of the talented Brian McKnight. Both songs exemplify the smooth, rich sound of ’90s R&B, showcasing the genre’s heartfelt emotion and musical craftsmanship.
While AZ Yet is most known for their two singles, the group’s self-titled debut is worth revisiting for fans of grown-man R&B and balladry.
Final Grade: A-
“Az Yet” is available on all streaming platforms.
My introduction to Nate Dogg goes back to Dr. Dre’s 1992 debut, The Chronic, and the song “Deeez Nuuuts.” Even then, something about Nate’s voice set him apart from everybody else. He wasn’t just singing on rap records. He was bringing soul, gospel, street knowledge, and West Coast cool into the same space. He set the standard for hook singers in hip-hop, and dare I say, he’s still vastly underrated.
For this week’s Slow Jam Saturday, I wanted to give Stevie Wonder his due as he prepares to celebrate the 50th anniversary of his masterpiece, “Songs in the Key of Life,” on tour. While the easy choice could have been “Knocks Me Off My Feet”—a classic that still resonates fifty years later—I chose “From the Bottom of My Heart,” the second single from his twenty-third studio album, “A Time to Love,” released in 2005.
It’s hard to believe that an iconic singing competition like American Idol has produced only two Black male winners in its more than two-and-a-half-decade history. Jamal Roberts made history last year when he won the show, following Ruben Studdard’s well-deserved victory in Season Two.