For this week’s Second Listen Sunday, I want to take a trip back to 1996 and shine a spotlight on the R&B group Az Yet and their self-titled debut album. Released on April 30 of that year, the group consisted of Marc Nelson, Shawn Rivera, Kenny Terry, Dion Allen, and Darryl Anthony.
My introduction to the group came with their debut single, “Last Night. Written by Keith Andes and Babyface and co-produced by the former with Meryn Warren, the song was a lush ballad that was everyone’s one mixtape in the summer of 1996.
The group shares lead vocals throughout the song as they croon about the intense emotions and profound connection one experiences during a passionate encounter with a partner. Never once does the song go into crass lyrics. The next single, a cover of Chicago’s “Hard to Say I’m Sorry,” became another hit.
Once again produced by Babyface with co-production from group member Shawn Rivera, the song achieved even greater success when the original producer, David Foster, added his magic touch and included vocals from Peter Cetera. The group effortlessly captures the original’s message, which explores the complexities of relationships and the struggle to express remorse and apologize.
From what I recall, the group unfortunately did not release a third single, which is quite disappointing. Babyface, who was responsible for many of the album’s standout tracks, was truly at the height of his creative prowess. Songs like “Saved for Someone Else,” “Care for Me,” and “I Don’t Want to Be Lonely” continue to resonate with a timeless freshness that captivates listeners.
Even the tracks not associated with Babyface shine brightly, such as “Secrets,” expertly written and produced by Jon B., and “Through My Heart (The Arrow),” courtesy of the talented Brian McKnight. Both songs exemplify the smooth, rich sound of ’90s R&B, showcasing the genre’s heartfelt emotion and musical craftsmanship.
While AZ Yet is most known for their two singles, the group’s self-titled debut is worth revisiting for fans of grown-man R&B and balladry.
Final Grade: A-
“Az Yet” is available on all streaming platforms.
As a longtime music enthusiast, I’ve often wondered how quickly record labels expect lead singers from groups to release solo albums. This question came to mind recently when my iPod played “So You Like What You See” by Samuelle. Listening to the song, I realized he would be a great choice for this week’s Second Listen Sunday.
You know the voice. The moment Michael Marshall starts singing the hook in Luniz’s “I Got 5 on It,” anyone who grew up in the nineties knows exactly what time it is. However, nearly a decade before that 1995 hip-hop classic, Marshall was already responsible for another instantly recognizable vocal.
There are some albums you revisit because of nostalgia, and then there are albums you return to because they remind you just how high the standard used to be. Anita Baker’s Rapture falls into that second category. Released in 1986, the album did more than make Baker a star. It helped define what sophisticated, grown R&B could sound like without losing any soul, sensuality, or personality.