For this week’s Second Listen Sunday, I want to take a trip back to 1996 and shine a spotlight on the R&B group Az Yet and their self-titled debut album. Released on April 30 of that year, the group consisted of Marc Nelson, Shawn Rivera, Kenny Terry, Dion Allen, and Darryl Anthony.
My introduction to the group came with their debut single, “Last Night. Written by Keith Andes and Babyface and co-produced by the former with Meryn Warren, the song was a lush ballad that was everyone’s one mixtape in the summer of 1996.
The group shares lead vocals throughout the song as they croon about the intense emotions and profound connection one experiences during a passionate encounter with a partner. Never once does the song go into crass lyrics. The next single, a cover of Chicago’s “Hard to Say I’m Sorry,” became another hit.
Once again produced by Babyface with co-production from group member Shawn Rivera, the song achieved even greater success when the original producer, David Foster, added his magic touch and included vocals from Peter Cetera. The group effortlessly captures the original’s message, which explores the complexities of relationships and the struggle to express remorse and apologize.
From what I recall, the group unfortunately did not release a third single, which is quite disappointing. Babyface, who was responsible for many of the album’s standout tracks, was truly at the height of his creative prowess. Songs like “Saved for Someone Else,” “Care for Me,” and “I Don’t Want to Be Lonely” continue to resonate with a timeless freshness that captivates listeners.
Even the tracks not associated with Babyface shine brightly, such as “Secrets,” expertly written and produced by Jon B., and “Through My Heart (The Arrow),” courtesy of the talented Brian McKnight. Both songs exemplify the smooth, rich sound of ’90s R&B, showcasing the genre’s heartfelt emotion and musical craftsmanship.
While AZ Yet is most known for their two singles, the group’s self-titled debut is worth revisiting for fans of grown-man R&B and balladry.
Final Grade: A-
“Az Yet” is available on all streaming platforms.
I’ve always been a fan of Eric Bellinger. My admiration stems not only from the records he has released under his own name but also from the impressive career he built behind the scenes. Long before casual R&B listeners recognized his face, they were already familiar with his songwriting through tracks he penned for artists like Chris Brown, Usher, Justin Bieber, and Wale.
As many of you know, I had the opportunity to visit Paisley Park earlier this week while vacationing in Minnesota. During the tour, our guide shared that an expanded edition of Prince’s album “Parade” is expected to be released to celebrate its 40th anniversary. After spending the day exploring the Twin Cities, it felt like the perfect excuse to revisit one of the most fascinating and underrated albums in Prince’s legendary catalog.
One of the reasons I’ve always considered Prince to have the edge over Michael Jackson is his remarkable collection of ballads and