“American Solitaire” Confronts PTSD and Gun Culture Head-On
Writer-director Aaron Davidman explores two gripping topics—gun control and PTSD—in his new film “American Solitaire,” from Greenwich Entertainment. As anyone who has served their country knows, when you come home from war, sometimes the battle isn’t over.
“Return of the Mack” Review: Legacy Meets Grit in a Modern Redemption Story
Director Kamal Smith brings his creative vision to “Return of the Mack,” a companion piece to the classic 1970s film “The Mack,” distributed by Quiver Distribution. The screenplay is written by Jason “Jayskillz” Collins, Brian Freeman, and Jami Freeman.
“Beef” Season 2 Review: Lee Sung Jin’s Anthology Returns Sharper, Messier, and Fully Alive
Creator Lee Sung Jin returns to the anthology format for “Beef” Season 2, this time trading road rage on the freeway for something far more suffocating: the slow-burning hostility of country club politics.
Bob Odenkirk Trades “Nobody” Swagger for Everyman Grit in “Normal”
After an incident on the job that also resulted in a bout of PTSD and put a strain on his marriage, Sheriff Ulysses (Odenkirk) has relocated to a small town in the Midwest as an interim sheriff, filling in for the town’s Sheriff who recently passed away.
“Untold: Jail Blazers” Review — A Barbershop Conversation Years in the Making”
Netflix’s popular series “Untold” continues to deliver the good with its latest episode, “Jail Blazers,” which is directed by Sascha Gardner.
“Omaha” Review: John Magaro Shines in a Heartfelt Road Trip Drama Set During the 2008 Crisis
After getting his feet wet in the world of shorts, director Cole Webley makes his feature debut with “Omaha” from Greenwich Entertainment. Robert Machoian pens the film’s screenplay. Set in 2008, against the backdrop of the economic crisis, the film introduces us to a struggling, nameless father (John Magaro).
“Hamlet” (2026) Review: Riz Ahmed’s Modern Shakespeare Adaptation Falls Flat
There’s a version of Hamlet that should feel alive in 2026—restless, culturally sharp, and willing to take risks. This isn’t that version. Starring Riz Ahmed and directed by Aneil Karia, this modern take on Shakespeare’s classic tragedy never quite finds its footing. It’s not a disaster—but it’s frustratingly close to being something better.
“Faces of Death” Review: A Killer Concept That Mostly Plays It Safe
One day, Margot stumbles upon a violent video uploaded by Arthur (Darce Montgomery), a serial killer reenacting deaths from the original “Faces of Death” and targeting internet celebrities as his victims.
“Hoppers” Review: Pixar Finally Stops Playing It Safe—And It Shows
Pixar hopes to reclaim its glory with “Hoppers,” from director . Daniel Chong. The director pens the screenplay with Jesse Andrews. If we are being honest, Pixar has spent the last decade doing something it traditionally avoided—playing it safe with sequels, familiar worlds, and proven formulas.
Single Review: Ne-Yo , “Up Out & Gone”
As fans prepare for his upcoming co-headlining tour, Ne-Yo isn’t just revisiting his past; he’s expanding his horizons. “Up Out & Gone” continues his recent shift towards country-influenced sounds, but it’s important to note that this isn’t a genre switch—it’s a blend.
Apple TV+’s “Your Friends & Neighbors” Season 2 Expands Its World—and Its Impact
Picking up after Coop (Jon Hamm) narrowly avoids prison, the season finds him still navigating moral gray areas, even after realizing that Sam (Olivia Munn) framed him for murder. His relationship with ex-wife Mel (Amanda Peet) remains complicated—emotionally unresolved yet intentionally restrained. The show avoids easy resets, allowing its characters to grapple with the discomfort they’ve created.
“The Drama” Review: Pattinson and Zendaya Anchor A24’S Character Study
Norwegian filmmaker Kristoffer Borgli continues his collaboration with A24 in “The Drama,” a polished relationship story that gradually unravels the longer you engage with it.