As my avid readers know, I immensely love the nineties R&B sound. While SWV, TLC, and Xscape were the premier girl groups until Destiny Child hit the scene, I wanted to show some love to Bad Boy’s female R&B trio Total.
After signing with Bad Boy Records, the group made an uncredited appearance singing the hook on The Notorious B.I.G’s “Juicy” in 1994. Frank White would later return the favor providing a memorable Hot 16 to the group’s debut single, “Can’t You See,” which would start building momentum for the group.
Hip Hop vibes continued with the second single, “No One Else.” However, the album’s third single, “Kissing You,” put the group in a different light for me. The legendary Raphael Saadiq wrote and produced this bop which showcased the trio’s voices. When creating the song, Saadiq wanted to represent NYC and linked up with guitarist Brian Julian.
Group member Keisha handled the first verse and the bridge. Pam sang the second verse while Kima joined in on the hook. I’ve always loved the song because it reminds you of the newness in a relationship. I was in middle school when the song hit the airwaves, so naturally, I felt like the trio was singing to me.
It would be a crime if I didn’t mention Puff Daddy’s remix of the song “Kissin’ You/Oh Honey.” Puff was already known for using samples to make hits, and for this remix, he used Delegation’s 1978 hit “Oh Honey” to create an even mellow vibe that tops the original.
F. Scott Fitzgerald once said, “Then he kissed her. At his lips’ touch, she blossomed for him like a flower, and the incarnation was complete. I think that quote effectively solidifies Total’s “Kissing You.”
Final Grade: A
“Kissing You” and the remix are available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.