In the 1990s, R&B music was dominated by vocal groups known for their captivating lead singers and smooth harmonies. This week, I wanted to highlight IV Xample and their single “I’d Rather Be Alone” for Slow Jam Saturday.
IV Xample, a talented R&B group hailing from Los Angeles, comprises Andre “Dre” Allen, Robert “Bobby C” Chevis (also known as Athemus Chevis), Raymond “Runni Rae” Chevis, and Bryant “Lucious” Woo. Their debut single, “I’d Rather Be Alone,” captures the raw emotions of heartbreak often expressed in R&B music, showcasing their soulful vocal harmonies over poignant lyrics.
“I’d Rather Be Alone,” written by Hershel Boone and Lovell Moorer II and produced by Steve Dublin, delves into themes of heartbreak, betrayal, and the struggle to move on from a failed relationship. The group takes turns sharing the lead vocals as they express their love for their partner while admitting a preference for solitude over staying in a relationship filled with lies and deceit.
The lyrics vividly portray the pain of realizing love was not returned and the challenge of letting go. Lines like “Girl, you made me a fool” and “There was no need to lie” emphasize the protagonist’s sense of betrayal and hurtmention of being the “only man” and hint at unfaithfulness, causing deep emotional scars.
The song accurately captures the bittersweet feelings of longing for the past while recognizing the need to move forward for personal well-being. “I’d Rather Be Alone” effectively conveys the complex emotions one experiences at the end of a relationship, underscoring the importance of self-respect and the courage required to let go for one’s own sake.
While only diehard R&B fans may remember this song, it’s easily a testament to the staying power of Nineties R&B.
Final Grade: B
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.