“The Substance” is a glorious gore fest

Director and writer Coralie Fargeat has partnered with the esteemed actress Demi Moore for her second feature film, “The Substance,” which has been released by Mubi. In this film, Moore portrays Elisabeth Sparkle, a once-illustrious Hollywood actress who faces abrupt dismissal from her long-running aerobics television show by the producer, Harvey, played by Dennis Quaid, due to considerations about her age.

This dismissal triggers a cascade of negative consequences in Elisabeth’s life. Following the incident, she is involved in a car accident, after which she encounters a young nurse in the hospital. The nurse discreetly presents her with a flash drive promoting “The Substance,” a black market serum that purportedly offers a “younger, more beautiful, and more perfect” version of oneself. Elisabeth decides to use the serum to reclaim her former vitality, resulting in a younger version of herself named Sue, portrayed by Margaret Qualley. However, Elisabeth ultimately discovers that aging is a certainty that cannot be circumvented.

Moore’s performance is a tour de force, capturing the fragility of a woman clinging to her past while simultaneously portraying her transformation into a more youthful, confident version of herself. Director Coralie Fargreat worked with both actresses to juxtapose Elisabeth, the aging star, and “Sue,” her youthful alter ego—using striking visual effects that evoke awe and disgust. The metamorphosis is not just physical; it serves as a metaphor for the lengths one will go to reclaim lost glory and the inherent dangers of such pursuits.

“The Substance” distinguishes itself through its body horror elements and profound psychological exploration. As the character Sue navigates her altered reality, the film adeptly examines themes of self-worth, societal expectations, and the often detrimental relationship between fame and identity. The drug, which initially appears to empower, gradually unveils its malevolent aspect, leading Elisabeth down a path of degeneration that is both literal and metaphorical. The horror manifests not solely in the physical transformations but also in the existential crisis that ensues as Vivian confronts the repercussions of her decisions. Dennis Quaid’s performance as the toxic producer is particularly noteworthy.

The direction by Fargeat is exemplary, employing a rich visual aesthetic that enhances the film’s unsettling atmosphere. The cinematography is striking, with lighting that transitions from glamorous to grotesque, effectively reflecting Elisabeth’s turbulent journey. The score, which blends orchestral and electronic elements in an eerie fashion, heightens the film’s tension, rendering each moment charged with dread.

“The Substance” is not intended for sensitive viewers; its visceral imagery, graphic content, and psychological strain will likely resonate long after the film’s conclusion. However, it is this very discomfort that contributes to its compelling nature. The film prompts viewers to confront the often unrealistic standards associated with beauty and youth, challenging audiences to consider the inevitable decline accompanying time and the societal pressures that compel individuals to extreme measures.

In a society where pursuing perfection can lead to self-destruction, “The Substance” serves as a chilling reminder of the costs entailed in such obsessions. It resonates on multiple levels—acting as a horror narrative and a poignant critique of society’s fixation on youth and beauty.

Final Grade: B+

“The Substance” is now available to stream exclusively on Mubi.