Growing up in the nineties, movies aimed at a melanin audience often featured soundtracks that had to be just as flavorful as the films themselves. This week, for Slow Jam Saturday, I want to take a trip back to 1993 and highlight one of the slow jams from the soundtrack of “Menace II Society”.
While the label would release and give a video to “Unconditional Love” from maturing R&B group Hi-Five, the album cut “Top of the World” performed by Kenya Gruv would prove to be just as popular. Co-written and produced with the late great D’Wayne Wiggins, “Top of the World” is a romantic song that centers on the physical closeness between partners.
Kenya Gruv sings about his longing to take his lady to the highest point of the world so they can spend time alone. He repeatedly uses “Top of the World ” to give her the sensation of reaching the ultimate peak of happiness and fulfilment.
Kenya’s lyrics create an urgent tone about his wish to spend time with them because he wants to meet up “real, real soon”. The phrase “I got all night” demonstrates both the urgency of the singer’s desire and his commitment to spend all his time and energy with his lady. The lyrics “We can go upstairs and f*ck a lil while / Baby it’s just you and I” might sound crude, yet they reveal the singer’s intent to build a profound physical and emotional bond.
Kenya acknowledges the women’s beauty while saying they look like someone he fantasized about for many years. This wordplay demonstrates that Kenya has been contemplating this connection for some time and holds strong feelings of attraction for the listener.
To my knowledge, Kenya Gruv never released an album and would find more success as a behind-the-scenes artist. However, “Top of the World” remains a timeless piece of desire and passion that should be included by anyone who intends to participate in safe physical relationships with emotionally connected partners.
Final Grade: A
“Top of the World” is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.