Terius Nash, better known as The -Dream was already an established artist when he released his I Am Sam EP a few days before Christmas in 2015. The EP was a collection of covers by the legendary Sam Cooke and was recorded during the sessions, The-Dream had with Beyoncé for 4 album.
Around the time of release, The-Dream had this to say about the project “My Mother loved a lot of Artist growing up, but the one we shared the most interest in together was Sam Cooke, so tonight I give him back to her.”
As most music fans know, Sam Cooke is arguably one of the greatest singers of all time. Cooke was a baritone with 3.4. Octave range. Despite his robust pen game, The-Dream has never possessed the most vital signing voice. I honestly had no idea where the project was going to go.
To my surprise, The-Dream delivers a solid EP that serves not as a heartfelt tribute to his late mother but as a respectful homage to Mr. Cooke. Some of the songs covered include “Cupid,” “You Send Me,” and “A Change is Gonna Come.” The-Dream never over sings any of the tracks, nor does he use any auto tune. Instead, he uses falsetto and tenor to make the songs work for him. I also want to commend the singer for his production choices, as all of the songs have an old-school feel to them.
If I had one gripe with the project, I would say that he could move a few of the placements on the track list around, but overall this is a nice project worth the listen and a great introduction to Sam Cooke for younger fans.
Final Grade: B +
I Am Sam is available on The-Dream’s Sound cloud.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.