tevin campbell
Derrick Dunn

Derrick Dunn

Flashback Friday Album Review: Tevin Campbell, Back to the World

In October of 1993, at the age of sixteen, soul singer Tevin Campbell released his second solo album. I’m Ready featured the massive hit single “Can We Talk.” Campbell would later go on to sell two million copies of the album and receive three Grammy nominations. Already displaying a vocal skill well beyond his years, Tevin grew up with his music on his third album, Back to the World.

Released on June 25th, 1996, Back to the World found the singer not only maturing with his music but avoided traveling down a risqué lane. The neo-soul flavored first single “Back to The World” was written by Rashaan Patterson (another child prodigy who was maturing) with production by Jamey Jaz. Patterson and Jaz’s duo provide Campbell with a song that would still sound fresh on today’s Urban A.C. charts.

“I Got It Bad” was the album’s second single, and I can admit that I initially didn’t care for the song as a youngster. However, as a grown man, I can appreciate the Smokey jazz café vibe that producer Keith Crouch was going for with the track. The album’s final single was the Babyface written ballad “Could You Learn to Love.” While the song is a lush ballad that Campbell slays with his vocals, it’s also a very safe choice and one I wouldn’t release for a single. Instead, I would’ve gone with the other Babyface composition on the album, “Tell Me Where.”

The real strength of the album is in some of the album tracks. “Dry Your Eyes” courtesy of producer Derrick Edmondson is an excellent midtempo number that any guy who wants to be more than friends with a young lady can relate to. We all know a nineties’ R&B album isn’t complete without a few tracks from Sean Combs and the Bad Boy camp.

Combs and the members of Total collaborate with Campbell on “You Don’t Have to Worry.” The song is a sensual slow jam, yet Campbell never comes off as crass or corny. Instead, he provides the listener with subtle seduction. While Combs and the members of 112 provide assistance on the ballad “I’ll Be There” and the midtempo “We Can Work It Out.” The former song is more substantial of the two, while the latter comes across as filler.

The only misstep on the album for me was “I Need You.” On the one hand, the song is better than some 2020 R & B releases; however, the song’s vibe didn’t really fit with the album for me. Nevertheless, had Campbell linked up with Combs for a remix with a hot 16 from the late great The Notorious B.I.G., I’m sure the album may have done better chart-wise.

Outside of under promotion from the label, I have no idea why audiences didn’t connect with Back to the World. While the album was released the same day as Toni Braxton’s sophomore album, Secrets and a week before Keith Sweat’s self-titled fifth album, there was room for all three artists to shine.

I’m Ready is considered Campbell’s magnum opus. His follow up project Back to the World is a strong third album and worthy transition from teen star to mature soul singer.

Final Re-Listen Grade B+

Movie Clappers

More reviews to explorer

Dennis Edwards, Don’t Look Any

Second Listen Sunday: Dennis Edwards, Don’t Look Any Further

While The Temptations miniseries is a classic, one of my most significant issues with the film was the lack of attention given to Dennis Edwards, who was the voice of one of the group’s biggest hits in the seventies. That said, I decided to give Mr. Edwards his flowers this week.

Ruff Endz, Someone To Love You

Slow Jam Saturday: Ruff Endz, Someone To Love You

R&B duo Ruff Endz burst onto the scene in the summer of 2000 with back-to-back hits in the form of “No More” and “Where Does Love Go.” from their debut album, Love Crimes. The group followed those singles up with the smash hit “Someone To Love You,” which made an appearance on the soundtrack to Chris Rock’s film Down To Earth.

Marcus Canty, This…Is Marcus Canty

Second Listen Sunday: Marcus Canty, This…Is Marcus Canty

In the year 2023, if you were to count the number of singing competitions that emerged after the success of American Idol in 2002, you might run out of fingers. One constant from all of the shows is that they rarely produce a male R&B singer who becomes a force in the genre.

Facebook
Twitter
LinkedIn

© Copyright Reviews & Dunn. All rights reserved

website designed by Red Robin Digital designers