victim to the dreaded sophomore jinx.
The group enlisted some big names for the project, particularly the ballads. 112, Stevie J and P. Diddy hook up with the group for a final track in “Where Do We Go .”Tim & Bob pen “Being With You,” while Faith Evans contributes “I’m Coming Home,” both of which are solid album tracks.
On the up-tempo side, the group’s mentor Heavy D brings his smooth bravado to the bop “You Just Don’t Know.” I also commend the group for penning a few slow jams on the project “Your Love Is Calling,” “Can’t You Tell,” and “I Don’t Wanna Say Goodbye,” which they co-wrote with Faith Evans.
Looking back at 1996, in terms of teen-focused R&B, For Life should have been more successful. If memory serves, Andre Harrell, the founder of their label Uptown left for Motown. Harrell’s exit resulted in Uptown getting moved from its parent company MCA Records, to the newly launched Doug Morris label Universal Records. Sadly like many R&B artists on the roster, Soul IV Real would fall victim to underpromotion as Universal didn’t know how to market R&B.
It’s a crime that Soul For Real wasn’t allowed to do a national tour aimed at their respected demographics with, say, 702 and Tevin Campbell, who had recently released albums. While For Life didn’t do gang-busting business from a sales point of view, it is a cohesive follow-up to two massively successful singles.
Final Grade: B+
For Life is available on all streaming platforms