Search
Picture of Derrick Dunn

Derrick Dunn

Slow Jam Saturday : Ryon Lovett, “Get Acquainted”

As Usher prepares to kick off his co-headlining tour this summer with Chris Brown, I wanted to take this week’s Slow Jam Saturday to show love to Ryon Lovett, an artist formerly signed to Usher’s short-lived record label, US Records.  The label only released the soundtrack for the 2005 film “In The Mix,” in which Usher had a starring role.

Along with Rico Love and One Chance, Ryon Lovett was one of three artists who made their debut on the soundtrack.  Lovett’s contribution was titled “Get Acquainted,” which served as a perfect introduction for a singer looking to find his footing in the competitive R&B world.  He wrote the song while Usher’s brother, J. Black, produced it.

Beginning with a catchy drumbeat, “Get Acquainted” delivers a simple message about a man trying to catch a young lady’s attention.  Utilizing his tenor voice, Lovett never comes off as desperate in the song; instead, he speaks for the guys who see a lady in the club and are trying to find the right words to approach her.

The song’s appearance in the film worked well, as it featured Usher’s character, a DJ trying to win over a woman in the club.  Upon hearing the song for the first time, I kept it in heavy rotation during my DJ sets and always found a way to incorporate it.  Unfortunately, Lovett never released a full album, but he went on to write songs for Usher, Lloyd, and Justin Bieber. 

Twenty-one years later, “Get Acquainted” is still in my rotation, and I wish Lovett had the opportunity to showcase his talent with a complete album.

Final Grade: B+

“Get Acquainted” is available on all streaming platforms.

Movie Clappers

More to explorer

“Feed” Movie Review: Irish Vampire Folklore Can’t Fully Sink Its Teeth In

Saban Films “Feed “has the makings of a horror film that could leave a mark, but it too often rushes past the very ideas that make it interesting. Writer-director Marco Van Belle combines grief with Irish vampire folklore, creating a monster whose most frightening weapon is not simply bloodlust but the possibility of giving a grieving woman exactly what she wants. That is a terrific foundation. The film just does not dig deeply enough into it.

Pure Scum Review: Privilege Runs Wild Through the Streets of Melbourne

Since the release of “A Clockwork Orange,” directors have attempted to capture the essence of reckless youth and toxic masculinity without making the characters engaging or appealing. Writer-director Gideon Aroni takes on this challenge in “Pure Scum,” a gritty Australian psychological thriller that follows two privileged young men through an increasingly disastrous night in Melbourne.

Facebook
Twitter
LinkedIn

© Copyright Reviews & Dunn. All rights reserved

website designed by Red Robin Digital designers