Today marks the 40th anniversary of the iconic R&B group New Edition in the music industry. As a fan, I couldn’t resist giving a shout-out to my all-time favorite music group for Slow Jam Saturday. Let’s take a trip down memory lane to 1983 with their album “Candy Girl,” which kickstarted their career, and their debut slow jam, “Is This The End.”
“Is This the End” is a heart-wrenching ballad that delves into the themes of heartbreak and the possible termination of a romantic relationship. The lyrics portray young love agony and bewilderment as they ponder whether their love has hit a dead end. The song highlights the exceptional vocal talents of the group members, with lead singers Ralph Tresvant and Ricky Bell delivering soulful and sentimental performances.
The track’s opening features the soulful and emotive tenor voice of Ralph Tresvant, who poses a poignant and straightforward question, “Is This The End?” Tresvant’s lyrics speak to his deep pain and anguish in his romantic relationship, and his vocal performance exudes raw emotion and vulnerability. The talented Ricky Bell seamlessly takes over the song’s bridge, adding another layer of depth and complexity to this powerful and moving musical composition.
The release of “Is This the End” helped solidify New Edition’s status as a successful R&B group in the 1980s. The song reached number 85 on the Billboard Hot 100 chart and became one of their early hits. It also showcased the group’s ability to deliver soulful ballads in addition to their more upbeat, dance-oriented tracks.
Final Grade: A
“Is This The End” from Candy Girl is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.