One thing fans of cinematic icon James Bond can count on is the theme song. Usually, the song carries the exact title of the film. I wanted to highlight the title song from the sixteenth Bond film, License To Kill, for this week’s Slow Jam Saturday.
Gladys Knight, the legendary singer, flawlessly performed the song composed by Narada Michael Walden, Jeffrey Cohen, and Walter Afanasieff. The song was skillfully produced by Walden, with additional production by Afanasieff. It is a powerful and passionate song that explores the theme of unconditional love and determination to protect a relationship at all costs. Through its lyrics, the song portrays Knight as a woman willing to do whatever it takes, even resorting to extreme measures, if necessary, to preserve their love.
Walden production begins the song with an ethereal and haunting intro, setting a melancholy tone that resonates throughout the track. Mrs. Knight’s plea for love is evident as she passionately expresses her need to hold on to her partner’s affection, emphasizing the intensity of her emotions.
The song’s opening verse reveals that Mrs. Knight’s romantic partner had attempted to leave, hinting at a tumultuous history or external complications that impacted their relationship. Nonetheless, she takes credit for persuading him to remain, implying that she played a pivotal role in preserving their love. The tone is intense as she cautions against underestimating her determination by emphatically declaring, “Don’t ever think you can elude me once I set my sights on you.”
The song’s chorus represents the narrator’s determination and caution in preserving their love, conveying the song’s main idea. Gladys declares that she will do anything to defend their relationship, even if it involves striking at her partner’s heart. The phrase “got a license to kill” is repeated to emphasize her resolve and preparedness to overcome any obstacles that may arise. The song’s message is one of unyielding loyalty and dedication.
“License To Kill” was a hit in the UK but didn’t do well in Canada or the US. It was Knight’s last solo single to chart in the UK, reaching the top spot in Sweden for eight weeks. It also made the top five in seven other European countries. Stateside, the film’s closing ballad, “If You Asked Me To” by Patti Labelle, was more successful.
Like the same-titled film, “Licence to Kill” is a vastly underappreciated song. I’ve always felt It is one of the best Bond themes and one of Gladys’ best songs from her eighties catalog.
Final Grade: B+
“License To Kill” is available on all streaming platforms.
Growing up in the nineties, movies aimed at a melanin audience often featured soundtracks that had to be just as flavorful as the films themselves. This week, for Slow Jam Saturday, I want to take a trip back to 1993 and highlight one of the slow jams from the soundtrack of “Menace II Society”.
Last week marked two significant anniversaries for one of the greatest artists of all time, Mr. Prince Rogers Nelson. It’s only fitting that I show him some love for Second Listen Sunday. The first anniversary was on the 21st, commemorating nine years since his passing. The second anniversary was on the 22nd, celebrating the 40th anniversary of his seventh studio album, “Around the World in a Day.”
One of my most significant decisions late last year was to pledge to Iota Phi Theta Fraternity, Inc. At the time of this writing, I am in Atlantic City for my fraternity’s Regional Conference, where I will represent my chapter, Beta Alpha Omega. In that regard, I believe the perfect song for this week’s Slow Jam Saturday is “The Best Man I Can Be.”