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Derrick Dunn

Slow Jam Saturday : Blue Magic, Spell

It’s been six years since audiences experienced the rating-breaking three-part mini-series, The New Edition Story. I still remember my excitement walking into an advance screening of Part 1 on a cold January night. One of my favorite scenes occurs in this part when a young Ricky Bell and Michael Bivins are supporting a pre-teen Bobby Brown in a talent show. The local Boston-based group, The Untouchables, is performing a cover of Philly soul group Blue Magic’s “Spell” before Bobby takes the stage. After hearing another cover version of the song in Michael Bivin’s documentary, The Hustle of 617 Biv, I decided to feature it for Slow Jam Saturday.

Blue Magic consisted of lead tenor Ted “Wizard” Mills, lead baritone Wendell Sawyer, second tenor Keith “Duke” Beaton,” bass Richard Pratt, and second baritone Vernon Sawyer. The group’s signature was their dreamy ballads and choreographed stage moves. “Spell” was the lead single from their self-titled debut album, which hit stores in January 1974.

Group member Ted Mills wrote the song, while Sigma Sound Studio’s legendary house band MFSB provided the music. The ballad explores the theme of being completely captivated and controlled by someone’s influence. The lyrics describe a sense of trouble and inner turmoil experienced by the narrator. They are constantly thinking, dreaming, and seeing visions of this person, unable to get themselves together.

The narrator’s repetition of the line “Must have put a spell on my mind” implies that they feel like they have been bewitched or influenced by this individual. This “spell” symbolizes this person’s inexplicable power and influence over the narrator’s mind and behavior. The bridge emphasizes this individual’s profound impact on the narrator, causing them to feel euphoric and utterly transformed. It implies that the spell has altered the narrator’s identity, leaving them entirely subject to the whims of the person who cast it.

The conclusion emphasizes being under someone’s control, recognizing the spell as the reason for this strong bond and inability to escape. It portrays a feeling of surrender and acknowledgment of their destiny to be with this individual. Anyone who has ever been in lust can relate to the song just as much as anyone who has been madly and deeply in love.

Final Grade: A

“Spell” from Blue Magic is available on all streaming platforms.

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Slow Jam Saturday : Chauncey Black, “Everyday Is Your Birthday”

This week’s Slow Jam Saturday pick takes us back to 2008 to show some love to Chauncey Hannibal, a member of Blackstreet, and his solo track “Everyday Is Your Birthday.” Chauncey’s vocals were featured prominently on the group’s first four albums until he began his solo career in 2005. He initially signed with Flipmode Entertainment, and “Everyday Is Your Birthday” was the first single from his project titled “Church Boy,” although the actual album was never released.

Second Listen Sunday: Brooke Valentine, “Chain Letter”

As my loyal readers know, one of my passions during my Air Force enlistment was being a DJ. Since I was stationed in the UK, it was sometimes hard to keep up with the music scene, as there was no satellite radio, the club scene rarely showcased new music, and I missed out on shows like 106 & Park. Often, I would buy new CDs based solely on their covers and find a way to incorporate the music into my sets, particularly if the artist caught my attention. One such artist was Brooke Valentine, who is this week’s pick for Second Listen Sunday.

Second Listen Sunday : Akon, Konvicted

Since my wife’s favorite solo artist, Ne-Yo, is currently on tour, I decided to show some love to Akon this week for Second Listen Sunday by focusing on his second album, “Konvicted.” I first discovered Akon in the fall of 2004 when I made my DJ debut while stationed in the UK. During my warm-up set, I played “Locked Up,” and one of the bouncers came over, handed me a pound, and said it was about time someone played that song.

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