This week’s pick for Second Listen Sunday is from the R&B songstress Toni Braxton catalog. She was already a force in the music world when her sixth album, Libra, arrived in stores in the fall of 2005.
Braxton’s fifth album, “More Than a Woman,” undersold, and she had to cancel many scheduled performances due to complications after discovering she was expecting her second child, resulting in a three-year gap before her next album. Wanting a change, Braxton left her label and signed with Blackground Records.
The initial version of Libra, produced by Braxton and her former spouse Keri Lewis from Mint Condition, heavily focused on ballads. However, to prevent a potential failure, the record label insisted on a re-recording with a more commercially appealing sound. To achieve this, Barry Hankerson, the label’s head, enlisted in-demand producers such as Scott Storch, Rich Harrison, and The Underdogs to create a more current and trendy sound.
Scott Storch produced the album’s first single, “Please,” which also opens the album. Catchy and upbeat “Please” aligns with the popular sound of female empowerment. Braxton’s voice is as soulful and captivating as ever, and it’s clear that she was having a good time recording the record,
The legendary Bryan Michael Cox brought his talents to the second single, piano-heavy R&B slow jam “Trippin’ (That’s the Way Love Works)”. Braxton effortlessly navigates through a range of emotions throughout the song. The highly sought-after producer, Rich Harrison, infused his signature sound into the third single, “Take This Ring,” influenced by Go-Go music. Although some critics dismiss the song as Harrison simply repeating the groove he created for Beyonce’s “Crazy In Love” and Amerie’s “1 Thing”, it also works well for Braxton.
The rest of the album shows that Braxton can adapt to modern trends after a decade in the game and still appease her core fan base. Midnite” and “I Wanna Be Your Baby” would feel right at home on a project from one of Braxton’s younger counterparts. A young Keri Hilson contributed her writing talents to the infectious “Sposed to Be,” while “Stupid” and “Finally” recall Braxton’s early sound.
Despite being appreciated by Braxton’s fans, Libra went unnoticed upon release to the public. Nevertheless, it’s a solid album from one of the best voices to emerge from nineties R&B.
Final Grade: B
Libra is available on all streaming platforms.
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.