Picture of Derrick Dunn

Derrick Dunn

Second Listen Sunday : Pleasure P, The Introduction of Marcus Cooper

No matter the music genre, a standout star is always when a group breaks into the scene. R&B fans were introduced to R&B thugs Pretty Ricky in 2005 with their debut album Bluestars. Three singles supported the album: “Grind with Me,” “Your Body,” and “Nothing but a Number. The group was a vocalist, Marcus (Pleasure P) Cooper quartet. The group’s main singer was Pleasure P, while the other three members performed as rappers.

 

Lyrically, the rappers in the group were suitable for club music, but Pleasure P was destined for solo stardom. Following his departure from the group in 2007 after their second album, Pleasure P began working on his solo debut, The Introduction of Marcus Cooper, which is this week’s pick for Second Listen Sunday.

 

He decided to go with a ballad for the album’s first single. Linking up with songwriters Rex Zamor (who also produced the track) and Noble Prince Hart, P delivered the apologetic “Did You Wrong.” One of the hardest things for a man to do is apologize to his lady, and with this lead single, Pleasure was able to kick off his transition into a solo artist as the young showcased his vocal abilities and musical style of an old soul.

 

“Boyfriend#2” was the album’s second single, which featured a writing credit for the singer and production from Rico Love. Pleasure taps into a situation ship vibe here, but the singer never comes across as corny or crass. For the album’s final single, P linked up with R&B lothario Tank to deliver the bedroom banger “Under,” which earned him two Grammy nominations in 2010.

 

The remainder of the album” is a polished mix of mid-tempo and slow jams that create a cohesive and enjoyable listening experience. The late great Static Major shows out with his pen game on “Fire Lovin” and “Illusion,” while “Your Love” is a playful homage to the Cheryl Lynn bop “Encore.”

 

From a production standpoint, the instrumentals provide a lush backdrop for Pleasure P’s vocals, incorporating elements of contemporary R&B and occasional hip-hop influences. The beats are often catchy and groove-driven, adding to the album’s overall appeal.

 

R&B was beginning to shift in 2009, so from a sales point I always felt that The Introduction of Marcus Cooper didn’t do what it should have. However, Pleasure P’s debut album did succeed by introducing him as a viable solo artist with a distinct style from Pretty Ricky and genuine vocal talent.

 

Final Grade: B+

 

The Introduction of Marcus Cooper is available on all streaming platforms.

 

Pleasure P recently started his special guest slot on Ne-Yo’s “Champagne & Roses Tour.” The tour will visit significant cities nationwide before ending on October 4th. Check LiveNation.com and Ticketmaster.com to see if the tour is coming to your area.

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Second Listen Sunday: Lionel Richie, Dancing on the Ceiling

In light of this week’s Second Listen Sunday, I would like to take a retrospective journey to 1986 when the Boston Celtics were reigning NBA champions, and Lionel Richie had recently been awarded an Oscar for his ballad “Say You, Say Me” from the film “White Nights.” The public eagerly anticipated a new album, and on August 5th, Richie released his third solo project, “Dancing on the Ceiling,” made available in record stores.

Slow Jam Saturday: A Few Good Men, “Have I Never”

R&B groups were all the rage in the nineties. A new group released a new album or single with quality music every week. For this week’s Slow Jam Saturday, I wanted to highlight A Few Good Men’s “Have I Never” ballad. The group was signed to LaFace Records and initially hit the scene in 1994 with their debut, “A Thang for You.

Second Listen Sunday : Marvin Gaye, I Want You

The year was 1976, and Marvin Gaye was on top of the world. Three years earlier, he solidified his place as an R&B lover man with his groundbreaking album “Let’s Get It On .”For this week’s Second Listen Sunday, I wanted to revisit Marvin’s follow-up, “I Want You.” The album “I Want You” marked a notable shift in Marvin Gaye’s musical direction, inspired by his relationship with Jan Hunter. Gaye’s music moved from his traditional Motown and doo-wop-influenced sound towards a more funky and light-disco soul. Despite this change, the album continued to explore the sexual themes in Gaye’s previous work, expanding on them further.

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