Search
Wayback Wednesday Album Review: Sean Levert , The Other Side
Picture of Derrick Dunn

Derrick Dunn

Wayback Wednesday Album Review: Sean Levert , The Other Side

Sean LeVert had already experienced great success in the group LeVert with his older brother Gerald and childhood friend Marc Gordon before turning thirty. Following the release of the group’s sixth album For Real Tho’ in 1993, Sean struck out on his own with his solo debut in June of 1995.

Released by Atlantic Records and titled The Other Side, the album follows the Levert formula. Sean linked up with his big brother Gerald and frequent collaborator Edwin “Tony” Nicholas for the album’s lead single, “Put Your Body Where Your Mouth Is.” The song is a sexy slow cut that solidifies the notion that the LeVert men know how to set the mood when it comes to R&B music. Sean is adamant about not being stuck in his father and brother shadows, and for the most part, he succeeds.

Sean opens up the album with a sultry slow jam that finds him working with Jermaine Dupri and Manuel Seal. Based on the song title “I’m Ready,” one would think it’s a track about Sean striking out solo. Instead, it’s a standard nineties track that the youngest LeVert shows off his crisp vocals. Following the opening track, Sean links up with his group mates Marc Gordon & Gerald for a player’s riding track. What makes the track stand out is the production flip of the sample of “Munchies for Your Love” by Bootsy Collins. 

“Same One” is a great ballad that finds Sean in a duet mood with father Eddie and older brother Gerald. All three men sound great on the track, and it’s a shame that we never got a full-on album from the trio. “Place To Be” is another fresh up-tempo track with Jermaine Dupri and Manuel Seal’s production. This song would’ve been great as the opener during Sean’s live show. While Sean’s voice is pristine, he does have his share of filler tracks on the album. “I’m In a Freaky Mood,” “The Other Side,” and “Just for the Fun of It” aren’t particularly memorable and come off more as LeVert leftovers than something for Sean.

Thankfully Sean regains his momentum on “Tasty Love,” where he flips “Computer Love” into a bedroom banger. Hearing this song in 2021, I’m surprised that this wasn’t a single as it has the makings of a Midnight Love countdown staple. Sean closes the album out with another Manuel Seal & Jermaine Dupri collaboration titled “Only You.”

Sean released his album at the age of twenty-six, and one of the surprising things is the label didn’t push him more towards a Hip Hop soul sound. Linking Sean with producers such as Puff Daddy, Eddie F, and Cory Rooney for some up-tempo tracks would’ve been a wise move and expanded the talented singer’s reach even further. Sadly Sean’s album went unnoticed as he had to compete with D’Angelo, Montell Jordan, and the King of POP. 

Nevertheless, this is a fine debut overall and worth visiting if you enjoy grown man nineties R&B.

Top Tracks: “Put Your Body Where Your Mouth Is,” “Same One,” and “I’m Ready.”

Final Grade: B-

The Other Side is available on all streaming platforms. 

Movie Clappers

More reviews to explorer

Second Listen Sunday: Tamia, Tamia

There’s no denying the exceptional talent of Canadian singer Tamia, whose voice stands out as one of the most distinctive in R&B. Her introduction to the music scene was marked by her captivating performances in two songs, the soulful ballad “You Put A Move on my Heart” and the Babyface duet “Slow Jams,” both featured on the 1995 Quincy Jones album Q’s Jook Joint. Tamia’s collaborations with Brandy, Gladys Knight, and Chaka Khan and her contribution to the legendary ballad “Missing You” further solidified her reputation as a powerhouse in the industry.

Slow Jam Saturday: IV Xample, I’d Rather Be Alone

In the 1990s, R&B music was dominated by vocal groups known for their captivating lead singers and smooth harmonies. This week, I wanted to highlight IV Xample and their single “I’d Rather Be Alone” for Slow Jam Saturday.

Second Listen Sunday: Babyface, Lovers

As an independent entertainment critic, one of my primary concerns stems from observing established figures within the music industry making factual errors during interviews or reviews. Of particular note are instances where Bobby Brown’s “Don’t Be Cruel” and Usher’s “My Way,” released in 1988 and 1997, are erroneously cited as the artists’ debut albums. It is evident to genuine music enthusiasts that such claims are inaccurate.

Facebook
Twitter
LinkedIn

ABOUT US

Reviews And Dunn is a unique blog showcasing all things cinema, music & theater.

SOCIAL

© Copyright Reviews & Dunn. All rights reserved

website designed by Red Robin Digital designers