After dabbling in gospel music on the I Need an Angel album, Season 2 American Idol winner Ruben Studdard returned to R&B for his third album, The Return. “Change Me” was the album’s first single, however the album’s second single, “Make Ya Feel Beautiful,” is the pick for this week’s Slow Jam Saturday.
Ruben linked up with producer Shea Taylor for the song production while Ne-Yo handled the writing. Ruben eases into the first verse, “First off let me start by saying I ain’t trying to get in your jeans. First I’d rather learn your ups and downs and everything in between” and it comes off as organic and natural. Taylor’s lush arrangements give Studdard a chance to show out vocally without ever over-signing the song. Outside of “Make Ya Beautiful” though, there was not anything memorable on The Return, due to the producer’s inability to connect with the singer.
Early comparisons likened Studdard to a Luther Vandross, or Teddy Pendergrass due to his keen talent for singing ballads. Studdard could have a substantial career as a balladeer and songs like this validated that. Given that Studdard has an old soul, his label should have pushed him more in that direction.
However, Studdard is a natural talent, and it is a shame that his career never really took off, despite his later offerings (notably 2013’s Unconditional Love) properly using his voice with adequate production.
Nevertheless, “Make Ya Feel Beautiful” is a solid slow jam that I revisit fourteen years after release.
Final Grade: B-
“Make Ya Feel Beautiful” from The Return is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.