Ray Parker Jr. and Raydio were amidst a successful career when album number four, A Woman Need Love, hit stores in 1981. The album’s first single “is “A Woman Needs Love (Just Like You Do.) The song was written as a counterpoint to the group’s previous hit, “Jack and Jill.” That song was is written from “Jack’s” viewpoint of being neglected, just as “A Woman Needs Love” is written from “Jill’s” perspective, as the lyrics indicate: “by the time poor Jack returned up the hill, someone else had been loving Jill.”
“It’s Your Night” takes things to the dance floor and gives the band a chance to show off their instrumentation skills. “That Old Song” is a fan favorite that talks about a former love that anyone can relate to when you think about an ex before finding the right one. “All in the Way You Get Down” finds the group dabbling in a sound popularized by Heatwave and Rod Temperton. Honestly, hearing this song would feel right at home on Michael Jackson’s Off The Wall.
“You Can’t Fight What You Feel” and “Old Pro” are both solid album tracks, while “Still in the Groove,” a follow-up to the instrumental funk hit “For Those Who Like to Groove,” should gratify fans looking for a good time. The album closes out with the sappy ballad “So Into You.” As we all know, Parker would go onto a successful solo career, so maybe his heart wasn’t entirely in this project. Nevertheless, A Woman Need Love features enough likable material to close out the group’s brief four-album catalog.
Final Grade: B-
A Woman Need Love is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.