Prince had validated his legacy as that DUDE numerous times by the time his instrumental album N-E-W-S hit the NPG club on May 26th, 2003, before arriving in stores on July 29th, 2003. N-E-W-S was Prince’s twenty-seventh studio album and his second instrumental album. N-E-W-S was an acronym for North, East, West, and South. Never one to pigeonhole himself, N-E-W-S finds Prince dabbling heavily into jazz fusion.
Containing only four tracks that run fourteen minutes each, N-E-W-S is a very eccentric offering. I remember purchasing the album at the age of twenty-two, but I didn’t fully grasp the instrumentation. I would revisit the album again three years later, during my first deployment in the United States Air Force, as a coping mechanism. At the age of 41 and with everything going on with the Tyre Nichols video, I decided to play the album again to bring positive energy into my life.
Since there’s no actual singing on the record, the best way to describe this album is mood music. I’ve heard that the intent behind N-E-W-S was a jam session, and that’s the vibe I got. With “North,” I got a vibe of funk. “East” gave off cinematic vibes. “West” starts a bit as a ballad before going back into the funk, and the closing number, “South,” puts me in the mindset of wanting to 2 Step.
N-E-W-S isn’t for all tastes, but You will enjoy this project from Prince the musician and his band a lot more if you avoid expectations and simply take in the joy of hearing them play.
Final Grade: B
N-E-W-S is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.