K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
R&B group New Edition was at crossroads in the summer of 1987. The group’s fourth album, Under the Blue Moon, and their only one as a quartet, had only achieved gold sales. Those numbers were very different from the platinum sales of their previous two albums.
Nevertheless, the group was one of their label’s most popular acts. Label head Jheryl Busby had big plans for the group and would bring in producers Jimmy Jam & Terry Lewis and vocalist Johnny Gill to give the group a mature sound.
However, before working with Gill, NE built chemistry with Jam & Lewis for the lovely ballad. “Helplessly In Love.” Originally appearing on the soundtrack to 1987’s Dragnet, the song production was textbook Jam & Lewis, which perfectly accompanied the maturing tenors of group members Ralph Tresvant and Ricky Bell.
The double R connection sounds excellent together as they croon:
“Never knew the closing of a door
Could open up a heart
Since the day we met I needed you
(needed you)
In my life
To do and say the things that I
Needed to feel and hear
I’m just
Helplessly in love
(ooh)
Don’t know what to do, I’m
Helplessly in love
And the love in my heart
Is for you.”
A long-time favorite among NE fans, “Helplessly in Love” is one song that I wish they would add back to their concert setlist. While I was fortunate enough to hear Ralph perform it live during his stint with Heads of State (a side project with NE members Johnny Gill and Bobby Brown), I would love to hear it performed with Ricky Bell. “Helplessly in Love” was a perfect preview of the chemistry that Jam & Lewis would build with the New Edition collection.
Final Grade: A
“Helplessly in Love” is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.