The Academy Award-winning filmmaker and best-selling author Laurent Bouzereau teamed up with Hollywood heavyweights such as Steven Spielberg, Ron Howard, Frank Marshall, and Kathleen Kennedy to celebrate one of the great composers of cinema in the new film, “Music by John Williams.”
The documentary starts by bringing viewers inside the soundscapes of what has been cinema today. It uses interviews, archive footage, and in-the-making footage to explain how many of the most storied film scores were put together.
Various scenes from John Williams’ works with such greats as Steven Spielberg and George Lucas stand out, as well as how visual storytelling meets musical composition. And it is just one way a perfectly timed orchestral swell can transform an ordinary scene into a cinematic gem.
The book is told chronologically, following Williams’ career from humble origins in New York City to Hollywood’s rise. The documentary features fascinating comments from his friends, filmmakers, and music scholars and tributes to his prowess. These tell a richer story of Williams’ life as a man of great technical talent and an artist of deep human experience.
One particularly poignant section features Williams’ observations on the affective intricacies of his songs. As he explains the hope, travel, and desire running through his music, listeners are made to see how his music mirrors the real world. There are intimate views in the documentary of Williams conducting a full orchestra, his ardor borne out as he points like a painter’s brush, animating the carefully worked notes.
On a musical level, the documentary is a library of Williams’ great works. It’s dramatic performances of his most famous songs, such as the classic “Star Wars” marches, the grand piano music from “Jurassic Park,” and the melancholy music from “Schindler’s List.” Each song is part of a narrative, a call to revisit old films and remember their heart-wrenching connections. Its thrilling finale (which celebrated his work on “Harry Potter”) also underscores the longevity of his music among audiences today.
“Music by John Williams” isn’t a documentary — it’s an exhibition of how sound can work so beautifully with a story. It’s an exhibition of how music is not just an interlude for stories but an essential language for sharing our inner feelings. The credits roll, the last notes are ebbing away, and you are left feeling inspired and grateful for a composer who has shaped the emotional world of film.
“Music by John Williams” is a must-see for any cinephile, fan of music, or lover of storytelling. It is a powerful testimony to a composer who created the music on which our lives were based.
Final Grade: A
“Music By John Williams” will stream on Disney+ this Friday.
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.