The Academy Award-winning filmmaker and best-selling author Laurent Bouzereau teamed up with Hollywood heavyweights such as Steven Spielberg, Ron Howard, Frank Marshall, and Kathleen Kennedy to celebrate one of the great composers of cinema in the new film, “Music by John Williams.”
The documentary starts by bringing viewers inside the soundscapes of what has been cinema today. It uses interviews, archive footage, and in-the-making footage to explain how many of the most storied film scores were put together.
Various scenes from John Williams’ works with such greats as Steven Spielberg and George Lucas stand out, as well as how visual storytelling meets musical composition. And it is just one way a perfectly timed orchestral swell can transform an ordinary scene into a cinematic gem.
The book is told chronologically, following Williams’ career from humble origins in New York City to Hollywood’s rise. The documentary features fascinating comments from his friends, filmmakers, and music scholars and tributes to his prowess. These tell a richer story of Williams’ life as a man of great technical talent and an artist of deep human experience.
One particularly poignant section features Williams’ observations on the affective intricacies of his songs. As he explains the hope, travel, and desire running through his music, listeners are made to see how his music mirrors the real world. There are intimate views in the documentary of Williams conducting a full orchestra, his ardor borne out as he points like a painter’s brush, animating the carefully worked notes.
On a musical level, the documentary is a library of Williams’ great works. It’s dramatic performances of his most famous songs, such as the classic “Star Wars” marches, the grand piano music from “Jurassic Park,” and the melancholy music from “Schindler’s List.” Each song is part of a narrative, a call to revisit old films and remember their heart-wrenching connections. Its thrilling finale (which celebrated his work on “Harry Potter”) also underscores the longevity of his music among audiences today.
“Music by John Williams” isn’t a documentary — it’s an exhibition of how sound can work so beautifully with a story. It’s an exhibition of how music is not just an interlude for stories but an essential language for sharing our inner feelings. The credits roll, the last notes are ebbing away, and you are left feeling inspired and grateful for a composer who has shaped the emotional world of film.
“Music by John Williams” is a must-see for any cinephile, fan of music, or lover of storytelling. It is a powerful testimony to a composer who created the music on which our lives were based.
Final Grade: A
“Music By John Williams” will stream on Disney+ this Friday.
Growing up in the nineties, movies aimed at a melanin audience often featured soundtracks that had to be just as flavorful as the films themselves. This week, for Slow Jam Saturday, I want to take a trip back to 1993 and highlight one of the slow jams from the soundtrack of “Menace II Society”.
Last week marked two significant anniversaries for one of the greatest artists of all time, Mr. Prince Rogers Nelson. It’s only fitting that I show him some love for Second Listen Sunday. The first anniversary was on the 21st, commemorating nine years since his passing. The second anniversary was on the 22nd, celebrating the 40th anniversary of his seventh studio album, “Around the World in a Day.”
One of my most significant decisions late last year was to pledge to Iota Phi Theta Fraternity, Inc. At the time of this writing, I am in Atlantic City for my fraternity’s Regional Conference, where I will represent my chapter, Beta Alpha Omega. In that regard, I believe the perfect song for this week’s Slow Jam Saturday is “The Best Man I Can Be.”