Mariah Carey, Bliss
Picture of Derrick Dunn

Derrick Dunn

Slow Jam Saturday: Mariah Carey, Bliss

Mariah Carey was already one of the biggest stars in music when her seventh studio album, Rainbow, hit stores on November 2nd, 1999. At the time, I was a senior in high school living in El Paso, Texas. Before that, I had spent the last six years outside Washington D.C. Naturally, living so close to Chocolate City with numerous urban radio stations, album cuts weren’t that hard to come by. Particularly during the quiet storm.

Unfortunately, El Paso only had one mainstream radio station, so it was sporadic that an album cut would get radio play. However, I’ve always considered myself a music head, so I would spread the word around my high school whenever I discovered a slow jam bop from an artist. 

So naturally, back in 1999, when I heard “Bliss” this week’s pick for Slow Jam Saturday, I had to get my A&R on. As with her previous two albums, Daydream and Butterfly, Rainbow found Mariah Carey going in a more urban direction. One of the most surprising things about Rainbow was that Carey eighty-sixed longtime collaborator Walter Afanasieff in favor of Jimmy Jam & Terry Lewis for the ballads. 

“Bliss” is the third track on the album and one of the first slow jams that Carey worked on with Jam & Lewis. The song starts with an angelic sound before Mariah comes in at the nineteen-second mark, seductively crooning,

“Touch me baby

It feels so amazing (yeah)

And you stimulate me

And you make me want you more and more”.

When we hit the chorus, Mariah has the listener in a romantic frenzy as she effortlessly shows off her whistle register. Even in the simplicity of production, Mariah shows why she’s one of the best in the game. Furthermore, as far as I know, no singer has ever attempted to cover the song on a reality TV singing competition due to the vocal complexity. 

“Thank God I Found You” and the far superior (Make It Last Remix feat. Joe & Nas) may have been the big ballad single from Rainbow. However, with “Bliss,” Jam & Lewis produced a sensual slow jam for Carey that was never crass but tasteful and personally stood the test of time.

 

Final Grade: A

“Bliss” from Rainbow is available on all streaming platforms. 

Movie Clappers

More reviews to explorer

Second Listen Sunday : Marvin Gaye, I Want You

The year was 1976, and Marvin Gaye was on top of the world. Three years earlier, he solidified his place as an R&B lover man with his groundbreaking album “Let’s Get It On .”For this week’s Second Listen Sunday, I wanted to revisit Marvin’s follow-up, “I Want You.” The album “I Want You” marked a notable shift in Marvin Gaye’s musical direction, inspired by his relationship with Jan Hunter. Gaye’s music moved from his traditional Motown and doo-wop-influenced sound towards a more funky and light-disco soul. Despite this change, the album continued to explore the sexual themes in Gaye’s previous work, expanding on them further.

Slow Jam Saturday: The Whispers, “I’m Gonna Make You My Wife”

Yesterday was the sixteenth anniversary of my marital union. In honor of this occasion, I have selected a song for this week’s Slow Jam Saturday that celebrates the sanctity of marriage. While I considered several options, such as Robin Thicke’s “Angels,” Luther Vandross’ “So Amazing,” or Myron’s “Give My All to You,” all of which played a significant role in my wedding, I ultimately decided on The Whispers’ “I’m Gonna Make You My Wife” due to its particular resonance with me.

Second Listen Sunday: B5, Don’t Talk Just Listen

For this week’s Second Listen Sunday, I took a trip back to 2007 and revisited “Don’t Talk Just Listen” from the group B5. Hailing from the Peach State, B5 comprised the Breeding Brothers, Bryan, Carnell, Dustin, Kelly, and Patrick. Initially finding success two years earlier with their cover of The Jackson 5’s “All I Do,” their debut did just enough with their preteen fans to warrant a second album.

Facebook
Twitter
LinkedIn