While he is one of the stars of Showtime’s hit series The Chi, Luke James has been making noise in the industry for almost two decades. James began his career singing background for Tyrese with his childhood friend Quentin, with whom he would later form a duo under the moniker Luke & Q.
The duo did sign to J Records. However, their debut album never saw an official release. After the group disbanded to pursue separate ventures, James would go on to write tracks for the likes of Chris Brown, Britney Spears, and Justin Bieber. In addition, James has released three solo albums and two mixtapes.
For this week’s Slow Jam Saturday, I wanted to highlight the first time I heard James sing. In 2006 as my loyal readers know, I was living in the United Kingdom and spent many a night DJing. I was part of a record pool to stay up on my music during this time. One month one of the songs was “My Turn” by Luke & Q.
Since the song dropped in 2006, it had had a “Mr. Steal Your Girl” vibe before Trey Songz made it famous. The singer’s voices compliment each other, and they avoid R&B thuggery. The lyrics may seem contrived to some, but the duo makes it work.
“Girl, who that dude you with?
Could’ve swore I saw him push up on your friend
Girl, who that dude you with?
Never seen him buy you nothing, always spending your ends
He don’t ice your wrists
Don’t take no trips
Don’t spend no time
He don’t rock your spine
But I’ll ice your wrists
We’ll take the trips
I’ll spend the time
Girl, I’ll hit ya right
Now it’s my turn, forget about your man”.
While I’m 41 now and married with children, the song still resonates, and hopefully, one day, we will get the chance to hear their aborted album.
Final Grade: B+
“My Turn” is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.