Over a decade-long career, crossover jazz artist Kim Waters had built a comfortable, quiet storm and R&B covers niche when his thirteenth album From the Heart hit stores on April 10, 2011.
Waters’s saxophone skills had paid tribute to Boyz II Men, Maxwell, and Anita Baker on his previous albums. However, for From the Heart, Waters took it back to the seventies with an elegant cover of The Spinners’ hit “Love Don’t Love Nobody.” While Waters’s musicianship alone could have done the song justice, the sax man brought in Jazz from Dru Hill for the vocals.
Arguably, the best singer in the Baltimore-based group, Jazz never tries to imitate Phillipe Wynn, the song’s original singer. Instead, Jazz makes the song his own and allows the listener to feel his emotions as he croons:
“Sometimes a girl will come and go
You reach for love, but life won’t let ya know
That in the end, you’ll still be lovin’ her
But then she’s gone, you’re all alone”.
Waters and Jazz’s chemistry comes across so natural if Jazz ever had the chance to have his solo career, I would have loved to see Waters as his musical director on tour. My only complaint about the song is that we do not get a chance to hear the song’s spoken word.
Final Grade: A
“Love Don’t Love Nobody” from From the Heart is available on all streaming platforms.
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.