Search
Album Review Keith Washington
Picture of Derrick Dunn

Derrick Dunn

Flashback Friday Album Review : Keith Washington, KW

Keith Washington burst onto the scene in 1991 with his debut album Make Time for Love featuring the classic ballad Kissing You.” Given the strength of Keith’s voice, one would think that the Detroit native would have been next in line to become one of R&B’s premiere next generation of balladeers. Washington made a memorable appearance on Martin as himself, earned a role in the film Poetic Justice and released his second album, You Make It Easy, in 1993. Keith then spent the next few years quiet. To concede with his Unsung airing this Sunday on TVONE, let us look back at Keith Washington’s third album, 1998’s KW.

For his third album, Keith switched labels from Qwest to Silas Records and underwent a style change. Revisiting the album, it appears that Washington wanted to keep with times and possibly appeal to a younger demographic. 

Super producer Fred Jerkins provides the albums opening track “I Warned You,” which has a mellow Hip Hop vibe. The Hip Hop groove continues “No Matter,” where Washington samples Bill Withers “Who Is He (And What Is He To You).” Finally, “I Warned You” finds Keith working with former AZ Yet member Marc Nelson for a jazzy-inspired groove.

Thankfully, Keith does not stay in the up-tempo material too long and starts with the balladry. The slow jams begin with “Tell Me (Are You With It).” Produced by Fred Jerkins III, the song is a sexy groove featuring background vocals by Kelly Price. Washington also collaborates with Jerkins and Price on “Smile” and “You Let Me Down.” Both songs are solid, and I wish that Price and Washington had given us a duet.

No strangers to duet with female singers, Washington reunites with the lovely Chanté Moore for “I Love You,” which was the album’s second single. Both singers perform the track with a sensual yearning to set the mood for an intimate night. Washington then shows off his production skills on a smooth cover of Marvin Gaye’s “You Sure To Ball.” 

Keith loses some of the momenta on “Long Ago” and “I Can’t Put You Down,” as both songs come across as filler. The tracks are not bad, just a bit underwhelming considering Keith’s vocal strength. Before closing out the album with the Darkchild remix of “Bring It On,” Keith gives a great ballad in the form of “Only You,” which shows off his pristine buttery vocals.

KW reassures listeners that Keith Washington had a capable voice, and given the right material, he is a force. Sadly, I think Washington may have just gotten lost in the shuffle when he released his third album. Through no fault of his own, he could not compete with the changing landscape of music in 1998. Nevertheless, though, KW is worth the listen for R&B fans.

Final Grade: B

Top Songs: “Bring It On,” “I Love You,” and “Smile”

KW is available on all streaming platforms

 

Be sure to tune in this Sunday, April 11 at 9P/8C on TV One for Keith Washington’s Unsung.

Movie Clappers

More reviews to explorer

Second Listen Sunday: Tamia, Tamia

There’s no denying the exceptional talent of Canadian singer Tamia, whose voice stands out as one of the most distinctive in R&B. Her introduction to the music scene was marked by her captivating performances in two songs, the soulful ballad “You Put A Move on my Heart” and the Babyface duet “Slow Jams,” both featured on the 1995 Quincy Jones album Q’s Jook Joint. Tamia’s collaborations with Brandy, Gladys Knight, and Chaka Khan and her contribution to the legendary ballad “Missing You” further solidified her reputation as a powerhouse in the industry.

Slow Jam Saturday: IV Xample, I’d Rather Be Alone

In the 1990s, R&B music was dominated by vocal groups known for their captivating lead singers and smooth harmonies. This week, I wanted to highlight IV Xample and their single “I’d Rather Be Alone” for Slow Jam Saturday.

Second Listen Sunday: Babyface, Lovers

As an independent entertainment critic, one of my primary concerns stems from observing established figures within the music industry making factual errors during interviews or reviews. Of particular note are instances where Bobby Brown’s “Don’t Be Cruel” and Usher’s “My Way,” released in 1988 and 1997, are erroneously cited as the artists’ debut albums. It is evident to genuine music enthusiasts that such claims are inaccurate.

Facebook
Twitter
LinkedIn

ABOUT US

Reviews And Dunn is a unique blog showcasing all things cinema, music & theater.

SOCIAL

© Copyright Reviews & Dunn. All rights reserved

website designed by Red Robin Digital designers