R&B lover man Keith Sweat already had an impressive three-album discography to his credit when he released his fourth album Get Up On It in June of 994. The lead single was the up-tempo “How Do You Like It”, which featured Lisa “Left Eye” Lopes of TLC. While I can understand where R&B was at the time, it actually made sense for the lead single to be an up-tempo number.
However, after his breakthrough first album, Keith’s strong point for me are in his ballads and slow jams. Thus, the second single from Get Up On It titled “When I Give My Love” still ranks high in my personal playlist of Keith Sweat slow jams. Sweat wrote and produced the song with Fitzgerald Scott and Joe Jefferson. The song starts with an intro that slowly creeps up on the listener before beginning with the chorus and then transitioning into the first verse.
From the moment Sweat croons the first verse “Hush, my baby, baby, don’t say a word, I got so much love for you, girl, haven’t you heard. Now I’m on a mission, girl, my intuition says you should be mine, I should be yours”, you know you have a classic on your hands. The album version of the song clocks in at over six minutes, yet Sweat never over sings the song or becomes repetitive with his delivery of the lyrics.
I also enjoyed the video for the song as it pays homage to the seventies classic film Cooley High. I have had the pleasure of seeing Keith Sweat live in concert twice, and even own his live DVD, Keith Sweat, The Sweat Hotel Live. However, much to my dismay, I have never heard the song live, nor is there a remix for it.
Nevertheless, “When I Give My Love” is as forgotten gem in Keith’s already impressive catalog.
Final Grade: A
Get Up On It is available on all streaming platforms
For this week’s Second Listen Sunday, I want to revisit 2004 and highlight Romeo’s debut solo album, formerly of Immature. Titled “Food for Thought” and released on June 22nd, this project marked the singer’s change of name to Young Rome in an effort to distance himself from the youthful sound of his group, much like his bandmate Marques Houston had done a year earlier.
In the nineties, Hip-Hop reigned supreme, and every label CEO wanted a share of the lucrative R&B market. One strategy was to keep singers on their roster who could deliver catchy hooks, keeping everything in-house and saving money. Bad Boy had Carl Thomas, Death Row had Danny Boy, and Roc-A-Fella had Rell, our featured artist for this week’s Slow Jam Saturday
Growing up in the eighties, I was surrounded by incredibly talented male R&B singers who could deliver unforgettable love songs. Artists like Luther Vandross, Jeffrey Osborne, and Peabo Bryson dominated the airwaves, but Freddie Jackson was another voice that truly deserved recognition.
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