Search
Search
Jermaine Jackson, Jermaine
Picture of Derrick Dunn

Derrick Dunn

Second Listen Sunday: Jermaine Jackson, Jermaine

It was the summer of 1972, and The Jackson 5 was still one of Motown’s biggest acts. Earlier in the year, second youngest brother Michael released his solo debut, Got to Be There. Following the release of the group The Jackson 5’s sixth album Lookin’ Through the Windows, the third eldest brother and co-lead singer of the group, Jermaine, released his self-titled debut.

As die-hard fans know, Jermaine sang substantial parts of “I Want You Back,” “ABC,” “I’ll Be There,” “The Love You Save,” and “Dancing Machine,” among others. While I wasn’t even a twinkle in my mother’s eye during Jackson 5, I discovered just how strong Jermaine’s vocals were as a child through his hits “Do What You Do” and “Don’t Take It Personal.”

After Michael passed in 2009, I began to dig deep into The Jackson 5’s catalog and discovered the vocal vigor in Jermaine’s voice. Particularly on “Through Thick and Thin,” “I Found That Girl,” and “It All Begins and Ends with Love .”For Jermaine’s solo debut, Berry Gordy kept the production in-house with the legends David Van DePitte, James Anthony Carmichael, and The Corporation overseeing the bulk of production. In addition, outside producers H.B. Barnum and Gene Page provided some songs.

Jermaine came out the gate running with an elaborate cover version of Shep and the Limelite’s “Daddy’s Home .”Jackson was seventeen when he released his version of the song, and it’s better than the original as Jermaine brings a soulful vocal well beyond his years to the song. For whatever reason, Mr. Gory decided to have Jermaine cover five other songs for his debut.

The covers include Simon & Garfunkel’s “Homeware Bound,” Motown alumna ‘Kim Weston’s “Take Me in Your Arms (Rock Me a Little While), and The Flamingo’s “I Only Have Eyes for You.” Jackson also covers his label mates Marvin Gaye’s “Ain’t That Peculiar.” Regrettably, none of the covers reach the heights of Jackson’s version of ” Daddy’s Home.” Jackson has a fine singing voice. However, the production is overly honeyed.

Perhaps Gordy’s intent for Jackson was to turn the singer into a balladeer, given Jackson’s sex symbol status at the time. Jermaine’s blend of a high and low tenor wasn’t suited to songs with saccharine strings and shoddy arrangements. Jackson comes across better on the original songs “That’s How Love Goes,” “I’m in a Different World,” “I Let Love Pass Me By,” and “If You Were My Woman.”

Of the original selections, Jackson comes across the best on Holland–Dozier–Holland’s produced “I’m in a Different World .”Perhaps the response would’ve been more robust if that crew, Stevie Wonder and Smokey Robinson, had overseen Jermaine’s solo debut. 

Nevertheless, Jermaine Jackson, at his worst, is still better than what some singers classify as R&B in 2022.

 

Final Grade: C

Jermaine is available on all streaming platforms.

Movie Clappers

More reviews to explorer

Second Listen Sunday: Tamia, Tamia

There’s no denying the exceptional talent of Canadian singer Tamia, whose voice stands out as one of the most distinctive in R&B. Her introduction to the music scene was marked by her captivating performances in two songs, the soulful ballad “You Put A Move on my Heart” and the Babyface duet “Slow Jams,” both featured on the 1995 Quincy Jones album Q’s Jook Joint. Tamia’s collaborations with Brandy, Gladys Knight, and Chaka Khan and her contribution to the legendary ballad “Missing You” further solidified her reputation as a powerhouse in the industry.

Slow Jam Saturday: IV Xample, I’d Rather Be Alone

In the 1990s, R&B music was dominated by vocal groups known for their captivating lead singers and smooth harmonies. This week, I wanted to highlight IV Xample and their single “I’d Rather Be Alone” for Slow Jam Saturday.

Second Listen Sunday: Babyface, Lovers

As an independent entertainment critic, one of my primary concerns stems from observing established figures within the music industry making factual errors during interviews or reviews. Of particular note are instances where Bobby Brown’s “Don’t Be Cruel” and Usher’s “My Way,” released in 1988 and 1997, are erroneously cited as the artists’ debut albums. It is evident to genuine music enthusiasts that such claims are inaccurate.

Facebook
Twitter
LinkedIn