Search
Gina Thompson, Angel
Picture of Derrick Dunn

Derrick Dunn

Slow Jam Saturday: Gina Thompson, Angel

R&B songstress Gina Thompson is most remembered for her 1996 debut single “Nobody Does It Better” and the Bad Boy Remix featuring Missy Elliott, who gained notability and mainstream attention for her unique signature, “Hee-Hee-How” punchline.

While that song kills some catalogs, I wanted to give Gina props for this week’s Slow Jam Saturday for her cover of Anita Baker’s “Angel.” Gina’s version is the fifth track on her debut album. 

I’ve always felt that “Angel” is a song that celebrates the strength, tenderness, and security we find in our partners. Similar to Anita, Gina expresses admiration for her love and willingness to do whatever it takes to keep the relationship strong. The lyrics convey that their passion is heaven-sent, filling them with joy and protecting them when times get tough. In the end, the vocals assure their partner that they are unique to them.

Shout out to Rodney Jerkins, whose production allowed Gina to make the song her own.

 

Final Grade: B

“Angel” from Nobody Does It Better is available on all streaming platforms.

Movie Clappers

More reviews to explorer

Slow Jam Saturday : Isley Jasper Isley, “Insatiable Woman”

When discussing families in R&B music, three names are usually at the top: Jackson, Debarge, and Isley. For the first Slow Jam Saturday of 2025, I wanted to show love to Isley Jasper Isley and their hit “Insatiable Woman” from their 1985 album “Caravan of Love.”

Second Listen Sunday : Intro, “New Life”

For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.

Slow Jam Saturday : Natalie Cole, “Starting Over Again”

The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”

Facebook
Twitter
LinkedIn