Search
Eddie Murphy, How Could It Be
Picture of Derrick Dunn

Derrick Dunn

Second Listen Sunday: Eddie Murphy, How Could It Be

Comedy legend Eddie Murphy was fresh off the success of a starring role in the highest-grossing movie of 1984 when he went to the studio to record his first musical album. Carrying the title How Could It Be, the album arrived in stores on July 20, 1985. Famous actors dabbling in music was nothing new. Remember when Miami Vice star Philip Michael Thomas cut an album? However, in Murphy’s case, his studio album was recorded as part of fulfilling a $100,000 bet with iconic comic Richard Pryor, who thought Murphy could not sing.

“Party All The Time” was the first single from the album, which found Murphy working with funk legend Rick James. An infectious bop about a girl just having a great time, the song featured one of James’ most memorable synthesized hooks. When the song was released, I was four years old, but I can only imagine how much fun it was to hear this one in the clubs.

The album’s title track, a duet (featuring Crystal Blake), was the second single. Murphy co-wrote the song with Frank Hamilton and Rick James. The song is a melancholy ballad that gives Murphy a chance to showcase his voice while avoiding vocal theatrics. Murphy never tries to emulate the great soul singers of the time but instead stays in his lane and provides a decent track. Given Murphy’s celebrity, it’s surprising that he didn’t line up an all-star production team of Jimmy Jam & Terry Lewis, Leon Sylvers, and Quincy Jones to provide tracks for the album.

Next to Rick James, the only other producer to provide music for the product was Aquil Fudge. Stevie Wonder does provide his pen game to two songs, the album’s opener, “Do I,” and its closer, “Everything’s Coming Up Roses.” Wonder’s contributions have his signature sound, and they truly bring out Eddie’s vocals.

Murphy himself also receives three writing credits on the album. The song Murphy writes are “Con Confused,” a disco-influenced piece, “I, Me, Us, We,” a tribute to funk titans Parliament, and “My God Is Color Blind,” an anti-racism song that falls flat. Nevertheless, Murphy can have one rotten apple as the album is only eight songs.

Murphy took a risky approach to see what he could do with music, but it primarily works given the decade. While Murphy isn’t a top-tier vocalist, the comic can carry a tune, and honestly, his debut album is better than some music that is hitting streaming platforms today.

Final Grade: B-

How Could It Be is available on all streaming platforms

Movie Clappers

More reviews to explorer

Second Listen Sunday: Anita Baker, “Rapture”

There are some albums you revisit because of nostalgia, and then there are albums you return to because they remind you just how high the standard used to be. Anita Baker’s Rapture falls into that second category. Released in 1986, the album did more than make Baker a star. It helped define what sophisticated, grown R&B could sound like without losing any soul, sensuality, or personality.

Slow Jam Saturday : Gwen Stefani, “The Real Thing (Slow Jam Mix)”

Gwen Stefani had already established herself as a significant force with No Doubt when she released her debut solo album, *Love. Angel. Music. Baby* in 2004. This week, while my iPod was on shuffle, one of my favorite songs from that project, “The Real Thing,” came on. Although the original version has an upbeat new-wave feel, the Slow Jam Mix takes it to another level and is the perfect choice for this week’s Slow Jam Saturday.

Second Listen Sunday : Randy Jackson, “Randy &the Gypsys ”

Unless you’re a music purist, mentioning Randy Jackson from the famous family is likely to elicit a joke. However, any serious Jackson fan knows that Randy had musical achievements long before the punchlines. Before he was old enough to buy a drink, he had already co-written “Shake Your Body (Down to the Ground)” and “Lovely One” with Michael Jackson.

Facebook
Twitter
LinkedIn