Following the lukewarm response to Sisqo’s second album in 2001, Dru Hill returned with a new member Scola in 2002 for the vastly underpromoted Dru World Order. The group would spend the next eight years touring and eventually add new member Tao for its fourth album InDRUpendence Day this week’s Second Listen Sunday pick.
Eight years is an eternity in the music business, but Dru Hill had four lead singers, so how would they sound in the age of streaming? The group reunited with past collaborators Keith Sweat, Nate Mooring, and Wirlie Morris, so the potential was there. Initially, I didn’t care for the album as The album’s first half was filled with secondary Will I Am-style beats. The songs sound better suited for Justin Bieber or Bruno Mars instead of a group like Dru Hill.
However, I now realize what Dru Hill was going for, and I won’t fault them for trying to branch out since that sound was the famous sound at the time. The CD starts to pick up with “Remain Silent,” which is the signature Dru Hill slow jam vibe I like. “State of Emergency” follows and is another mood setter while Sisqo & Jazz both have a chance to shine on “Back To The “Future’ & “Love MD.” The album’s final ballad, “Away,” still sounds fresh and would feel right at home on any streaming Black-led series. The album ends with a decent cover of Tears For Fears’ “Everybody Wants To Rule The World.”
While InDRUpendence Day is my least revisited Dru Hill album, I respect them for trying something new. Besides, Dru Hill has album tracks from its three albums that are better than some people’s biggest hits running streaming in 2023.
Final Grade: C
InDRUpendence Day is available on most streaming platforms sans Apple Music.
I’ve always been a fan of Eric Bellinger. My admiration stems not only from the records he has released under his own name but also from the impressive career he built behind the scenes. Long before casual R&B listeners recognized his face, they were already familiar with his songwriting through tracks he penned for artists like Chris Brown, Usher, Justin Bieber, and Wale.
As many of you know, I had the opportunity to visit Paisley Park earlier this week while vacationing in Minnesota. During the tour, our guide shared that an expanded edition of Prince’s album “Parade” is expected to be released to celebrate its 40th anniversary. After spending the day exploring the Twin Cities, it felt like the perfect excuse to revisit one of the most fascinating and underrated albums in Prince’s legendary catalog.
One of the reasons I’ve always considered Prince to have the edge over Michael Jackson is his remarkable collection of ballads and