Daron Jones had already made a name for himself as a founding member of 112 in addition to writing for the likes of Usher, Jamie Foxx, and 112 when he released his Christmas album, Christmas in Atlanta, on November 30th, 2015. Jones opens the project with Christmas in the Air, a midtempo bop that showcases Daron’s brisk baritone.
“Baby for Christmas” is up next, and this is Jones at his best. Jones honed his slow jam writing skills while in 112, and “Baby For Christmas” doesn’t stray too far from the writing style fan have become accustomed to from Jones. I like the song because Jones avoids using auto-tune and lets his voice speak for itself. “Cold Outside” is up next, and here Daron provides his male listeners with a solid apology song if you’re ever in the dog house.
The final original song on the project is the message song “Where Would That Leave Us.” Jones taps into the true spirit in this song and focuses on the holiday’s importance. It’s a great way to close the album out, and in a perfect world, I could easily see the song in an urban Christmas play.
Jones closes out the project with covers of the Christmas standards, “Away in a Manger,” “Have Yourself a Merry Little Christmas,” “Silent Night,” and “Oh Holy Night.” Jones sings the songs well and shows off underrated piano skills. While 112 is a legendary group, all members are equally talented. If you’ve never heard of any of Daron’s solo work, Christmas in Atlanta is a great place to start.
Final Grade: B
Christmas in Atlanta is available on all streaming platforms.
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.