After their 1990 sophomore album release, The Future, R&B trio Guy began an extended hiatus. Teddy Riley went on to form another group, Blackstreet and then become an in-demand producer. While Aaron Hall would go on to start his solo career with the risqué ballad “Don’t Be Afraid.” Like most R&B fans, I was curious to know what the third member of Guy, Damion “Crazy Legs” Hall, would do.
Hall previously showcased his solo vocal talents on the Forte song “Holding On” from the Zebrahead soundtrack two years prior, and did some Gospel plays here and there. However, not many folks know Hall released a solo project in 1994. For that reason, I wanted to give Hall the Slow Jam Saturday spotlight with his 1994 debut solo single “Satisfy You” feat. Chanté Moore. Bryan Loren handles production on the track and caters well to Hall’s voice.
Music heads know that the song was initially offered to Michael Jackson during the recording sessions for “Dangerous.” The King of Pop passed on the song but let the song’s producer, Bryan Loren, know he would sing backup if Loren kept the song for himself.
Set to a luxuriant instrumental sound, “Satisfy You” exemplifies nineties R&B. Hall opens the song crooning, “Hey girl, my only wish is to satisfy you.” He then takes his vocal register up a tad over the track, allowing the listener to feel Hall’s emotion for his lady. The icing on the cake in the song, though, is the vocal compliments that Moore and Hall’s voices give each other.
“Satisfy You” was the perfect song to introduce Hall as a solo artist, and hearing the song validates that the singer should have had more chances to sing lead on Guy’s tracks. Hall never tries to emulate his older brother but instead shows his own style in a great way.
Final Grade: A
“Satisfy You” isn’t available on any major streaming platforms; however, it is available on YouTube.
I’ve always been a fan of Eric Bellinger. My admiration stems not only from the records he has released under his own name but also from the impressive career he built behind the scenes. Long before casual R&B listeners recognized his face, they were already familiar with his songwriting through tracks he penned for artists like Chris Brown, Usher, Justin Bieber, and Wale.
As many of you know, I had the opportunity to visit Paisley Park earlier this week while vacationing in Minnesota. During the tour, our guide shared that an expanded edition of Prince’s album “Parade” is expected to be released to celebrate its 40th anniversary. After spending the day exploring the Twin Cities, it felt like the perfect excuse to revisit one of the most fascinating and underrated albums in Prince’s legendary catalog.
One of the reasons I’ve always considered Prince to have the edge over Michael Jackson is his remarkable collection of ballads and