Following the lukewarm response of his debut solo album King of Stage in 1986, teen idol Bobby Brown was at his crossroads in his career. While his former bandmates New Edition had linked up with Jimmy Jam and Terry Lewis to oversee production on their Heartbreak album, Brown elected to work with Kenneth “Babyface” Edmonds and Antonio “L.A.” Reid. L.A. and Babyface were already making a name for themselves in music, so it was a brainer to work with them. In May 1988, Brown released “Don’t Be Cruel,” the first single from his same-titled sophomore album.
Music historians liken the song to Janet Jackson’s “Control” as it showcased a maturing artist coming into his own. From the opening instrumentation moments of the song to the moment Bobby sings the first note, he displays confidence well beyond his age of 18 when he recorded the song. L.A. and Babyface, with additional writing by Daryl Simmons, provided Brown with a song that has a man pursuing a woman who isn’t interested in his games.
Don’t Be Cruel was the beginning of a successful atop-the-charts run for Brown and one of his most notable songs. Thirty-three years later, the song still sounds fresh, and I can’t help but smile every time Brown does his rap in the song.
Final Grade: A
Don’t Be Cruel is available on all streaming platforms.
It is common for actors to explore their musical talents, as they complement each other like movies and popcorn. Growing up in the eighties, I recall Eddie Murphy, Don Johnson, and Philip Michal Thomas releasing projects. This week’s Second Listen Sunday pick is Gregory Hines, the late thespian and tap-dancing icon who released a self-titled album
It’s been six years since audiences experienced the rating-breaking three-part mini-series, The New Edition Story. I still remember my excitement walking into an advance screening of Part 1 on a cold January night. One of my favorite scenes occurs in this part when a young Ricky Bell and Michael Bivins are supporting a pre-teen Bobby Brown in a talent show. The local Boston-based group, The Untouchables, is performing a cover of Philly soul group Blue Magic’s “Spell” before Bobby takes the stage. After hearing another cover version of the song in Michael Bivin’s documentary, The Hustle of 617 Biv, I decided to feature it for Slow Jam Saturday.
R&B fans were elated this past summer when R&B legend Raphael Saadiq announced he had reunited with Tony! Toni! Toné! for a fall tour. The tour kicked off this past Thursday in Birmingham, Alabama, with twenty-five planned stops. I plan on attending the Oxon Hill, MD, stop this coming Monday.
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