Big Daddy Kane was easily one of Hip Hop’s brightest stars when his third album, Taste of Chocolate, hit record stores in October of 1990. Kane was known for boasting about his talent as a microphone checker, but as any Hip Hop head will tell you, Kane possessed a first-rate technique and rhyming skills to match his bravado.
L.L. Cool J, Slick Rick, and U.T.F.O. had all seen success with Hip Hop love songs. Kane had previously dabbled with that formula as he usually would have a slow cut on his albums. “The Day You’re Mine and “To Be Your Man” were strong album cuts from his first two projects. Both of these songs elevated his sex-symbol status. So it was no surprise when Dark Gable linked up with The Walrus of Love, aka Mr. Barry White, for Taste of Chocolate’s third single, “All Of Me.”
White’s signature bass opens the song before Kane adds his portion. The two give the song a mentor and mentee vibe as White gives Kane advice, and Kane uses his lyrics to set the mood. In contrast, the song is Kane’s second-highest peaking single on Billboard’s Hip Hop list. “All of Me” peaked at #14 in March 1991; it does feel a bit out of place on the project.
Perhaps “All Of Me” should have been put on a soundtrack or a Barry White album, as the other tracks feature some lyrical fire from Kane. Taste of Chocolate has songs with themes like crossing over, slavery, the drug epidemic & inner-city violence. Nevertheless, the song has aged well and is somewhat of a forgotten Hip Hop ballad.
Final Grade: B
“All Of Me” from Taste of Chocolate is available on all streaming platforms.
It is common for actors to explore their musical talents, as they complement each other like movies and popcorn. Growing up in the eighties, I recall Eddie Murphy, Don Johnson, and Philip Michal Thomas releasing projects. This week’s Second Listen Sunday pick is Gregory Hines, the late thespian and tap-dancing icon who released a self-titled album
It’s been six years since audiences experienced the rating-breaking three-part mini-series, The New Edition Story. I still remember my excitement walking into an advance screening of Part 1 on a cold January night. One of my favorite scenes occurs in this part when a young Ricky Bell and Michael Bivins are supporting a pre-teen Bobby Brown in a talent show. The local Boston-based group, The Untouchables, is performing a cover of Philly soul group Blue Magic’s “Spell” before Bobby takes the stage. After hearing another cover version of the song in Michael Bivin’s documentary, The Hustle of 617 Biv, I decided to feature it for Slow Jam Saturday.
R&B fans were elated this past summer when R&B legend Raphael Saadiq announced he had reunited with Tony! Toni! Toné! for a fall tour. The tour kicked off this past Thursday in Birmingham, Alabama, with twenty-five planned stops. I plan on attending the Oxon Hill, MD, stop this coming Monday.
Reviews And Dunn is a unique blog showcasing all things cinema, music & theater.
You must be logged in to post a comment.