Tribeca Review: Luther: Never Too Much
Esteemed documentary filmmaker Dawn Porter embarks on a compelling journey into the life and musical legacy of Luther Vandross in her latest project, ‘Luther: Never Too Much.’ This documentary stands out with its insightful interviews, rare footage, and carefully crafted screenplay that brings Vandross’s story to life. The evocative musical score by Grammy winner Robert Glasper and the executive production by Oscar winner Jamie Foxx further elevate the project, ensuring a poignant and comprehensive exploration of Vandross’ remarkable career and influence.
Jennifer Esposito flexes her directing chops in the engaging Fresh Kills
Esteemed actress Jennifer Esposito takes a bold step into the world of writing and directing with ‘Fresh Kills’ from Quiver Distribution. In addition to her new roles, Esposito delivers a compelling performance as a co-star in the film. Set in late 1989 and 1993 in Staten Island, New York, the film follows the journey of Rose Larusso, a young and curious girl portrayed by Emily Bader. Her life takes a dramatic turn when she uncovers a shocking secret about her father, Joe, played by Domenick Lombardozzi, who is revealed to be a mafia kingpin. As Rose’s yearning for independence and self-discovery intensifies, it triggers a series of events that not only jeopardize her safety but also strain her relationships with her mother, Francine (played by Esposito), her sister Connie (portrayed by Odessa A’zion), and her aunt Christine (brought to life by Annabella Sciorra). This internal and external conflict forms the film’s core, ‘Fresh Kills. ‘
Reverse The Curse blends comedy, sports fanatics and drama
David Duchovny, known for his roles in popular TV series and films, makes a comeback to directing narrative features after a gap of two decades with the much-anticipated ‘Reverse The Curse’ from Vertical. In this project, he not only adapts his fourth novel, ‘Bucky F*cking Dent,’ from 2017, for the film’s screenplay but also takes on a co-starring role.
Presumed Innocent is an engaging miniseries
Celebrated Academy Award Nominee Jake Gyllenhaal, following his successful tribute to an 80s classic earlier this spring, is poised to showcase his acting prowess in the miniseries “Presumed Innocent.” Renowned attorney turned Hollywood polymath David E. Kelley assumes the role of showrunner and series writer, with Greg Yaitanes and Anne Sewitsky taking turns directing the series’ eight episodes.
Second Listen Sunday: The O’Jays, Imagination
It’s hard to believe I was in the Air Force twenty years ago. While R&B king Usher dominated the R&B scene with his magnum opus’ Confessions,’ the legendary R&B trio The O’Jays, known for their soulful tunes, quietly dropped a bombshell-their highly anticipated new album ‘Imagination ‘.
Slow Jam Saturday : Eric Benét , I Wanna Be Loved
For this week’s Second Listen Sunday, I have chosen to revisit the music of 1988, a year particularly significant to me. Contrary to expectations, I have opted to divert attention from the New Jack Swing genre and instead highlight the work of the relatively uncelebrated artist, Mr. Gary Taylor, and his second solo album, “Compassion.” Before gaining widespread recognition, Taylor had established a solid reputation through his collaborations with notable artists such as Vesta Williams, The Dazz Band, and Grover Washington Jr. However, Taylor’s breakthrough moment came with his contributions to The Whispers’ “Just Gets Better with Time.”
Unlock the mystery of Netflix’s Eric
Welsh playwright Abi Morgan brings her talent for writing to Netflix for the miniseries “Eric.” Lucy Forbes directs all six episodes, which star Benedict Cumberbatch, a recipient of the BAFTA TV Award, Primetime Emmy Award, and Laurence Olivier Award.
Second Listen Sunday: Gary Taylor, Compassion
For this week’s Second Listen Sunday, I have chosen to revisit the music of 1988, a year particularly significant to me. Contrary to expectations, I have opted to divert attention from the New Jack Swing genre and instead highlight the work of the relatively uncelebrated artist, Mr. Gary Taylor, and his second solo album, “Compassion.” Before gaining widespread recognition, Taylor had established a solid reputation through his collaborations with notable artists such as Vesta Williams, The Dazz Band, and Grover Washington Jr. However, Taylor’s breakthrough moment came with his contributions to The Whispers’ “Just Gets Better with Time.”
Slow Jam Saturday: K. Michelle, Can’t Raise a Man
K. Michelle, a distinct vocalist in the R&B scene, is currently on tour with other notable R&B artists such as Trey Songz, Jahiem, and Keyshia Cole. This presents a perfect opportunity to revisit her second single, ‘Can’t Raise a Man,’ from her debut studio album ‘Rebellious Soul’ (2014), for this week’s Slow Jam Saturday.
The Young Wife is an engaging sophomore feature from Tayarisha Poe
Tayarisha Poe, the esteemed writer and director known for her widely acclaimed debut “Selah and the Spades,” presents “The Young Wife,” a unique Afrocentric love story that stands out in the genre for its nuanced portrayal of societal pressures and personal struggles. Produced by Republic Pictures, the film’s narrative delves into the emotional turmoil of Celestina (Kiersey Clemons) as she grapples with the tumultuous expectations of family and friends on the day of her nuptials to River (Leon Bridges). The film intricately explores the challenges these societal pressures pose, contributing to Celestina’s escalating anxiety and apprehension as she embarks on marital bliss, inviting the audience to empathize with her journey deeply.
Clichés abound, Summer Camp is saved by three legendary leads
Director and writer Castile Landon shifts from erotica fan fiction to a friendship story in “Summer Camp” from Roadside Attractions. Nora (Diane Keaton), Ginny (Kathy Bates), and Mary (Alfred Woodard) have been best friends since they were inseparable at summer camp during their childhood. Despite their intense bond, the demands of adult life have led them to see each other less and less over the years.
In a Violent Nature delivers the slasher goods
After getting his feet wet in shorts and music videos, Chris Nash makes his directorial debut with “In a Violent Nature.” Nash also pens the film’s screenplay. When a locket is extracted from a collapsed fire tower in a wooded area, it triggers the reanimation of the deceased body of Johnny (Ry Barrett), a malevolent spirit driven by a grievous 60-year-old transgression. Intent on reclaiming the locket, Johnny targets a cohort of young vacationers culpable for its removal, methodically eliminating them one by one and any others who impede his pursuit.