Second Listen Sunday: The Floacist, “The Floacist presents Floetic Soul.”
Arriving in stores on November 9th, 2010, “The Floacist presents Floetic Soul” was led by the single “Forever” featuring Musiq Soulchild. A sensual slow jam written by Stewart and produced by J.R. Hutson, “Forever” explores the unwavering and enduring nature of love. The lyrics convey a deep connection between two individuals who have overcome challenges and found solace in each other’s presence. Stewart’s voice perfectly complements Musiq as they sing about unconditional love and support, expressing their willingness to meet any needs or desires their loved one may have.
“Music By John Williams” gives a legendary Maestro his flowers
On a musical level, the documentary is a library of Williams’ great works. It’s dramatic performances of his most famous songs, such as the classic “Star Wars” marches, the grand piano music from “Jurassic Park,” and the melancholy music from “Schindler’s List.” Each song is part of a narrative, a call to revisit old films and remember their heart-wrenching connections. Its thrilling finale (which celebrated his work on “Harry Potter”) also underscores the longevity of his music among audiences today.
“Time Cut” is a decent enough genre bender
Director Hannah Macpherson doubles up on genres for her “Time Cut” sophomore effort from Netflix. Macpherson also co-writes the film’s screenplay with Michael Kennedy. In the present day, Lucy Field (Madison Bailey), A high school senior student and amateur inventor, accidentally finds a time machine and travels back to 2003, the year her sister Summer (Antonia Gentry) was murdered by an unknown killer.
Second Listen Sunday: Dwayne Wiggins’, “Eyes Never Lie”
The year was 1987, and in the world of sports, The Giants won the Super Bowl, the Lakers won the NBA, and the Minnesota Twins won baseball. In television, the world would get their introduction to “The Simpsons,” in cinema, Eddie Murphy would appear in his first sequel.
Slow Saturday: Big Bub, “Settle Down”
The year was 1987, and in the world of sports, The Giants won the Super Bowl, the Lakers won the NBA, and the Minnesota Twins won baseball. In television, the world would get their introduction to “The Simpsons,” in cinema, Eddie Murphy would appear in his first sequel.
Over ambition hinders “My Name Is Hitchcock”
Renowned filmmaker Mark Cousins returns with his latest documentary, “My Name Is Alfred Hitchcock.” A century after the release of Alfred Hitchcock’s first feature, he continues to be one of the most influential filmmakers in cinema history. The enduring question remains: How does his extensive body of work and legacy resonate in today’s world?
Anna Kendrick delivers a winning directorial debut with “Woman of the Hour”
Academy Award nominee Anna Kendrick delivers another strong performance and makes her directorial debut in “Woman of the Hour” from Netflix. Ian McDonald pens the film’s screenplay, featured on the 2017 Black List, an annual survey of the most popular scripts yet to be produced.
“Classified” is an underwhelming mess of clichés
Aaron Eckhart continues his trend of top lining second-tier action flicks in “Classified” from Saban films. Roel Reiné directs the film from a script by Roel Reiné. Evan Shaw (Aaron Eckhart) is a CIA officer who has spent the last two decades alone in the field. He uses the “Help Wanted” section of the newspapers to get his orders from the agency.
Second Listen Sunday: The Whispers, “Just Gets Better With Time”
The year was 1987, and in the world of sports, The Giants won the Super Bowl, the Lakers won the NBA, and the Minnesota Twins won baseball. In television, the world would get their introduction to “The Simpsons,” in cinema, Eddie Murphy would appear in his first sequel.
Slow Jam Saturday: Donell Jones, “I Hope That Its You”
Chicago-based R&B singer Donell Jones’s career went to the next level in 1999 with his sophomore album “Where I Wanna Be.”
The Lincoln Lawyer’s junior season continues to win the case of enjoyable entertainment”
From the get‑go, it’s apparent that Dern is here only for the paycheck. Not only does the usually elegant actress deliver a bland performance as Maya Reid, but her character is contrived and never comes across as more than an artificially inflated cliché.
Second Listen Sunday: Coko, “Hot Coko”
Cheryl Elizabeth Gamble, aka Coko, was one of the prominent voices of the nineties as a member of a beloved R&B trio.