The Bride! Review: Jessie Buckley and Christian Bale Ignite a Wild Gothic Love Story
There are two ways to revisit a classic monster story: you can polish the myth and present it like a museum exhibit, or you can crack it open, electrify it, and see what kind of creature comes back to life. With “THE BRIDE!”, from Warner Bros. writer and director Maggie Gyllenhaal clearly chooses the second approach, transforming the familiar Frankenstein legend into something feral, emotional, and wildly unpredictable.
Aldis Hodge Commands the Case Again in Prime Video’s ‘Cross’ Season 2
Aldis Hodge is back on the case as Alex Cross for Season 2 of Prime Video’s “Cross”. Ben Watkins returns as showrunner, with directors including Stacy Muhammad and Craig Siebels.
“GOAT” review – a Smarter, Sharper Animated Sports Film
The film is directed by Tyree Dillihay and written by Aaron Buchsbaum and Teddy Riley, based on a story by Nicolas Curcio and Peter Chiarelli, which is a chapter from an unpublished book by Chris Tougas.
“The Gray House” Review: Civil War Spy Drama Reveals the Women Who Saved the Union
Civil War dramas often measure valor through cannon fire and cavalry charges. However, “The Gray House*“valuates valor through coded messages, calculated risks, and the steady nerves of women who understood that information could be deadlier than any rifle. This eight-episode limited series reframes the conflict not from the battlefield, but from the drawing rooms of Richmond, where loyalty is performed, and survival depends on silence.
“In the Blink of an Eye” Review: Ambition Without Cohesion
It’s been a month since I finished my first run at Sundance, and I’m finally getting the chance to see some of the films I missed as they began to premiere. One of those films is “In the Blink of an Eye,” which is available on Hulu. The film is directed by Andrew Stanton and written by Colby Day.
“The Bluff” Review: Priyanka Chopra Anchors a Sun-Soaked Swashbuckler
Bollywood legend Priyanka Chopra Jonas reunites with producers the Russo Brothers for a modern-day swashbuckling adventure titled “The Bluff,” streaming on Prime Video. Frank E. Flowers directs from a script he co-wrote with Joe Ballarini.
Sundance Review : “If I Go Will They Miss Me”
It’s been about three weeks since I returned from Sundance’s final year in Park City — a closing chapter for a festival that has defined independent film for decades. As expected, I missed a few titles in theaters but caught up with them at home. One such film was “If I Go Will They Miss Me”.
“Dreams” review: Jessica Chastain and Isaac Hernández ignite in a stylish, politically charged erotic drama
Academy Award winner Jessica Chastain reunites with director Michel Franco for her latest film, “Dreams,” from Greenwich Entertainment. Franco also pens the film’s screenplay. On paper, this film plays like a stylish remnant of the golden age of the erotic thriller, featuring sleek interiors, dangerous longing, and sex charged with consequence.
“The Last Thing He Told Me” Season 2 (2026) review: a deeper, more intimate mystery
When “The Last Thing He Told Me” debuted, its tension stemmed from absence—a husband had vanished, leaving only a note that read, “Protect her.” A wife and her stepdaughter were left to untangle a life built on secrets. Season 2, premiering on Apple TV+ on February 20, takes a bolder approach by bringing Owen back.
Concert Review : New Edition Way Tour @ CFG Bank Arena, Baltimore MD
I’ve seen New Edition more times than I can count, but this stop felt different. Perhaps it was the holiday atmosphere, the anticipation built from missing their Vegas residency, or the weight of legacy hanging in the air.
“How to Make a Killing” review: Glen Powell shines in A24’s darkly twisted black comedy
Glen Powell brings his charming everyman persona to the black comedy genre in “How to Make a Killing”, the latest film from A24. Written and directed by John Patton Ford, the movie draws inspiration from the 1949 British classic “Kind Hearts and Coronets”, originally penned by Robert Hamer and John Dighton.
“The Inquisitor” review: Director Angela Tucker revitalizes the moral force of Barbara Jordan
Director Angela Tucker’s “The Inquisitor” refrains from presenting Barbara Jordan as a mere figure of reverence. Instead, it revitalizes her legacy, showcasing what intellectual courage looks like when it stands firm.