Writer Erin Foster collaborates with showrunner Craig Digregorio for a semi-autobiographical series, “Nobody Wants This,” from Netflix.
An agnostic podcast presenter and a nontraditional rabbi navigating life post-breakup enter a gathering. As they leave — as a duo — the unexpected couple, Joanne (Kristen Bell) and Noah (Adam Brody) sense an undeniable connection forming. However, their contrasting perspectives on existence looming over them, various contemporary hurdles to romance, and their families alternately support and undermine their efforts — including her sibling Morgan (Justin Lupe) and his brother Sasha (Timothy Simons).
In a realm where love frequently transcends limits, “Nobody Wants This” emerges as an audacious and enthralling examination of connection, identity, and the intricate nature of faith. This series invites viewers on an emotional expedition as it portrays the improbable romance between a rabbi and a non-Jewish podcast presenter, crafting a insightful and deeply moving narrative.
From the outset, the chemistry between the leads is unmistakable. Adam Brody masterfully embodies the rabbi with conviction and sensitivity as he navigates his community’s expectations while uncovering love’s liberating essence. Meanwhile, Bell shines as the podcast host by offering a fresh viewpoint; her inquisitive spirit encourages her to challenge established ideas about faith and tradition. Their exchanges are charged with authenticity—infused with humor yet profound—resulting in a dynamic that feels both relatable and significant.
Additionally, I appreciated how sibling storylines contribute significantly to the humor throughout. The series excels at addressing sensitive topics thoughtfully. It urges viewers to introspect on their beliefs and biases while showcasing the beauty of embracing differences. Discussions surrounding faith, culture, and belonging are rich in layers and complexity, challenging conventional notions of what constitutes “acceptable” love. The storytelling is engagingly poignant; each episode leaves viewers craving more as they anticipate how this relationship will develop within societal confines.
Nobody Wants This” presents a visually rich experience, featuring cinematography that effectively captures the warmth of personal moments and the harsh truths encountered by the characters. The accompanying score beautifully aligns with the storyline, enhancing emotional highs and immersing viewers in the plot. Beyond being merely a romantic narrative, “Nobody Wants This” is a tribute to our shared humanity. It urges us to confront our prejudices, foster empathy towards others, and understand that love transcends all barriers. This series is essential viewing for anyone who advocates for the transformative nature of human connections and appreciates the magnificence found in our diversity.
“Nobody Wants This” is available to stream today on Netflix
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.