Writer Erin Foster collaborates with showrunner Craig Digregorio for a semi-autobiographical series, “Nobody Wants This,” from Netflix.
An agnostic podcast presenter and a nontraditional rabbi navigating life post-breakup enter a gathering. As they leave — as a duo — the unexpected couple, Joanne (Kristen Bell) and Noah (Adam Brody) sense an undeniable connection forming. However, their contrasting perspectives on existence looming over them, various contemporary hurdles to romance, and their families alternately support and undermine their efforts — including her sibling Morgan (Justin Lupe) and his brother Sasha (Timothy Simons).
In a realm where love frequently transcends limits, “Nobody Wants This” emerges as an audacious and enthralling examination of connection, identity, and the intricate nature of faith. This series invites viewers on an emotional expedition as it portrays the improbable romance between a rabbi and a non-Jewish podcast presenter, crafting a insightful and deeply moving narrative.
From the outset, the chemistry between the leads is unmistakable. Adam Brody masterfully embodies the rabbi with conviction and sensitivity as he navigates his community’s expectations while uncovering love’s liberating essence. Meanwhile, Bell shines as the podcast host by offering a fresh viewpoint; her inquisitive spirit encourages her to challenge established ideas about faith and tradition. Their exchanges are charged with authenticity—infused with humor yet profound—resulting in a dynamic that feels both relatable and significant.
Additionally, I appreciated how sibling storylines contribute significantly to the humor throughout. The series excels at addressing sensitive topics thoughtfully. It urges viewers to introspect on their beliefs and biases while showcasing the beauty of embracing differences. Discussions surrounding faith, culture, and belonging are rich in layers and complexity, challenging conventional notions of what constitutes “acceptable” love. The storytelling is engagingly poignant; each episode leaves viewers craving more as they anticipate how this relationship will develop within societal confines.
Nobody Wants This” presents a visually rich experience, featuring cinematography that effectively captures the warmth of personal moments and the harsh truths encountered by the characters. The accompanying score beautifully aligns with the storyline, enhancing emotional highs and immersing viewers in the plot. Beyond being merely a romantic narrative, “Nobody Wants This” is a tribute to our shared humanity. It urges us to confront our prejudices, foster empathy towards others, and understand that love transcends all barriers. This series is essential viewing for anyone who advocates for the transformative nature of human connections and appreciates the magnificence found in our diversity.
“Nobody Wants This” is available to stream today on Netflix
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.