K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
For this week’s slow jam Saturday, I wanted to highlight a track from an ill-fated reunion album that should have been more successful. After releasing their second album, The Future, Guy took a hiatus in 1990. Group members and brothers Aaron and Damion Hall would release solo albums, while Teddy Riley would become an in-demand producer and form another group, Blackstreet.
Despite two soundtrack appearances (“Tell Me What You Like” from New York Undercover and “The Best” from Wild Wild West), it seemed like the group’s reunion would never come to fruition. The R&B trio finally reunited officially, and their third album Guy III hit stores on January 25, 2000. The first single, “Dancin’,” would become the group’s highest-charting single on the Billboard Hot 100. While the follow-up single “Why You Wanna Keep Me from My Baby” wasn’t as successful, it showcased the pristine vocals of Aaron Hall.
“Love Online,” “Tellin Me No,” and “Not A Day” were all also strong album tracks and are still in my rotation today.
However, one particular song from Guy III is my favorite. “Rescue Me” was produced by Teddy Riley, Daryl “Dezo” Adams, and Walter “Mucho” Scott. The production trio did a creative sample of “Dedicated To The One I Love” by The Tempress. “Resuce Me” starts with a man calling his lady to check on her and realizing she is going through something. From there, listeners experience a five-minute slow jam that showcases the production talent of Teddy Riley and the vocal prowess of the Hall Brothers.
MCA should have released this one as a single, and I can only imagine how great it would sound in concert.
Final Grade: A-
Guy III is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.