K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
The iconic band Queen were provided their flowers when tribute band 33 1/3 Killer QUEEN Experience took the stage at The Birchmere Music Hall in Alexandria, VA, on Saturday, September 18th. I had seen another Queen Tribute band in the past, and furthermore, my son is a massive fan of Queen, so our attendance at the show was necessary.
33 1/3 Killer Queen Experience opened the show with “Fat Bottom Girls.” The group’s lead vocalist Justin Gonzalez was in pristine form with his vocals. One of the most enjoyable things about Gonzalez’s performance was that he never tried to sing like Freddie Mercury, and instead, he made the songs his own while being backed by his live band. Throughout a ninety-minute set, the 33 1/3 Killer QUEEN Experience hit all of the songs you would want to hear during a Queen experience.
I would also like to give the band credit for not just doing a Hits show and introducing my family and I to some Queen songs that I wasn’t familiar with, such as “Hammer To Fall,” “Keep Yourself Alive,” and “Prophet’s Song.” One of the evening’s best moments occurred when Tony (a group roadie) took the stage to perform “We Will Rock You.” Now, if you are curious about what made this so special, Tony is only ten years old.
If I had one gripe with the show it would be that my favorite song by Queen, “Princes of the Universe,” wasn’t on the setlist. However, the band’s energy, musicianship, and family-friendly entertainment more than made up for the omission.
Final Grade: B+
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.