For this week’s Second Listen Sunday, I wanted to take my readers back to 1985 and show some love to Cherrelle and her second album, “High Priority.” Reuniting with producers Jimmy Jam & Terry Lewis, the bulk of the album was led by the single “You Look Good To Me”.
The catchy lyrics describe a potent fascination with another person. Cherrelle is mesmerized by the man’s way of walking and talking, which takes away all control. The remainder of the song muses on the significance of both physical attraction and character in a love affair, but ultimately concludes that she is not in love yet and needs to experiment more before settling down.
The next single, “Saturday Love,” is still a personal favorite forty years later—a duet with Alexander O’Neal. The essence of “Saturday Love” is a song about connection. The physical connection between lovers, the emotional connection that bonds them together, and the habit of connection, even when they can’t physically be with each other every day. The lyrics detail a countdown through the week to the day when their love can be celebrated.
“Artificial Heart” was the third single in which Cherrelle explores that cold corner of love where emotion is replaced by habit. Produced by the legendary duo Jimmy Jam and Terry Lewis, the track features shimmering synths and a quietly haunting groove. Beneath its glossy surface lies a deep pain — the kind that doesn’t scream but instead sighs. Cherrelle’s voice, a blend of silk and sorrow, perfectly captures the moment when a woman realizes that the connection she once cherished has become mechanical.
The final single was a UK-only release titled “Will You Satisfy.” The production snaps with funk and elegance, but it’s her delivery that sells the truth: satisfaction isn’t just physical, it’s emotional. This is Cherrelle telling the listener — and her lover — that real intimacy is about reciprocity. She’s not asking for validation; she’s demanding presence. Every note feels intentional, turning a sensual slow burner into a declaration of self-worth. Long before empowerment anthems became mainstream, Cherrelle was already singing about
While Cherrelle isn’t always mentioned among the other ’80s songstresses, “High Priority” easily avoids the sophomore slump.
Final Grade: B+
“High Priority” is available on all streaming platforms.
This week’s Second Listen Sunday pick takes us back to 2006 to revisit “So Amazin’,” the third album from Christina Milian. Arriving in stores on April 19 of that year, the project was produced largely by Cool & Dre, sans one song, and saw the singer earn writing credits on nine of the album’s songs.
For this week’s Slow Jam Saturday, I want to showcase love for Rahsaan Patterson and his album track “Can We Wait a Minute” from his self-titled debut album, released in 1997.
For this week’s Second Listen Sunday, I wanted to take a trip back to 2000 and show some love to the R&B duo K-Ci & JoJo and their third album, “X,” which was released in stores on December 5, just in time for a holiday stocking stuffer. Arguably, the group suffered from the sophomore slump with their second album, as only two singles were successful.