112, Pleasure & Pain
Picture of Derrick Dunn

Derrick Dunn

Second Listen Sunday: 112, Pleasure & Pain

R&B quartet 112 was at a crossroads when their fifth album, Pleasure & Pain, hit records stores in the spring of 2005. A year prior, they officially departed longtime label Bad Boy Records for Def Soul, and the group’s fourth album, Hot & Wet, had underperformed two years earlier.

For their fifth project, 112 collaborated with a new group of people, including Mario Winans, Jermaine Dupri, and Bryan Michael Cox, who each contributed once or twice. However, the group remained self-sufficient, with Daron Jones taking on much of the production responsibilities.

R&B music had begun to shift, and groups weren’t getting as much love in the industry. Undaunted, the group kept with the times and got a little nasty on the album’s first single, “U Already Know.” Written by the group members and up-and-coming hitmakers Sean Garrett and Focus, “U Already Know” was a pseudo-sequel to the group’s earlier hit “Anywhere.”

Set to the production talents of Garret & Focus, “U Already Know” by 112 is a provocative song about physical intimacy between two people. The song depicts a passionate night between two lovers familiar and comfortable with each other’s desires. The lyrics suggest that the two are home alone, intending to satisfy their sexual desires. Group members Slim and Q share lead vocals, with Daron providing ad-libs at the end. “U Already Know” is still a favorite and holds up almost twenty years later.

The boys from the A went to a ballad for the second single, “What If.” Slim takes the lead on the song, which is a poignant reflection on regret over past mistakes and the desire for reconciliation in a broken relationship. Slow jam guru Darrell “Delite” Allamby provided the group with lyrics and production for the song. 

The lyrics are centered on the singer’s introspection and self-criticism, admitting past infidelities, lying, and dominating behavior that caused his partner harm. The “what if” questions throughout the song highlight the singer’s wishful thinking about an alternate reality where he had acted differently and not lost his love. 

If memory serves, “If I Hit” featuring T.I. was also a radio single but didn’t take off. Like other R&B artists at the time, 112 overloaded the project. Outside of “Damn,” the up-tempo numbers hit less than their previous bops. “My Mistakes” is straight filler, and “The Way” feat Jermaine Dupri comes off as a low-rent Jay-Z leftover. At the same time, the unlikely collaboration on “Closing The Club” with Three 6 Mafia is still perplexing. Who could’ve ever predicted that the guys who sang “Love You Like I Did” would croon the words nads in a song? 

Thankfully the group kept a step when it came to ballads and interludes. “That’s How Close We Are,” “Why Can’t Get We Along,” and “God Knows” still sound fresh in 2023. Furthermore, the interlude “We Goin Be Alright” has more soul and passion in the lyrics than some R&B artists ruling the airwaves.

Pleasure & Pain would serve as the last 112 album for twelve years. After this project, 112 would focus on solo efforts and the occasional spot date. While the album is weaker than their previous releases, there are some bright spots.

 

Final Grade: B –

Pleasure & Pain is available on all streaming platforms.

Movie Clappers

More reviews to explorer

Second Listen Sunday: Lionel Richie, Dancing on the Ceiling

In light of this week’s Second Listen Sunday, I would like to take a retrospective journey to 1986 when the Boston Celtics were reigning NBA champions, and Lionel Richie had recently been awarded an Oscar for his ballad “Say You, Say Me” from the film “White Nights.” The public eagerly anticipated a new album, and on August 5th, Richie released his third solo project, “Dancing on the Ceiling,” made available in record stores.

Slow Jam Saturday: A Few Good Men, “Have I Never”

R&B groups were all the rage in the nineties. A new group released a new album or single with quality music every week. For this week’s Slow Jam Saturday, I wanted to highlight A Few Good Men’s “Have I Never” ballad. The group was signed to LaFace Records and initially hit the scene in 1994 with their debut, “A Thang for You.

Second Listen Sunday : Marvin Gaye, I Want You

The year was 1976, and Marvin Gaye was on top of the world. Three years earlier, he solidified his place as an R&B lover man with his groundbreaking album “Let’s Get It On .”For this week’s Second Listen Sunday, I wanted to revisit Marvin’s follow-up, “I Want You.” The album “I Want You” marked a notable shift in Marvin Gaye’s musical direction, inspired by his relationship with Jan Hunter. Gaye’s music moved from his traditional Motown and doo-wop-influenced sound towards a more funky and light-disco soul. Despite this change, the album continued to explore the sexual themes in Gaye’s previous work, expanding on them further.

Facebook
Twitter
LinkedIn